This gentle, lyrical celebration of the natural world will reward similarly observant readers.
Armed with a sketchbook and patience, a young girl watches animals from a platform in a tree.
With quiet appreciation, the narrator describes what she sees on visits made from September through late November to her special place on the edge of the woods. She watches a fox take the last apple from a tree. A bear mother “snuffles for food” with her cub. Honking Canada geese fly overhead. There are skunks, acorn woodpeckers, rabbits, chipmunks, a deer with still-spotted fawns and turkeys. One day the lucky girl even observes a lynx. “I stay quiet, quiet / to keep it here— / for a moment.” Even on the gray, cold day on which no animals come, the narrator sits patiently, her back to readers, steadily waiting and watching. LaMarche’s illustrations, done mostly in shades of orange and brown with acrylics, colored pencil and inks, beautifully and realistically portray the ever changing woods, trees, plants and animals. The girl’s appreciation for all she sees and hears is as evident in her face and body language as it is in the text. While not as obviously place-specific as the prolific author’s Desert Song, illustrated by Ed Young (2000), the flora and fauna are recognizably Californian—but the appeal will be universal.
This gentle, lyrical celebration of the natural world will reward similarly observant readers. (Picture book. 4-8)Pub Date: Aug. 26, 2014
ISBN: 978-1-4424-7251-8
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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