Mitton’s modest, if mildly agreeable, contribution to the barnyard-hoedown genre opens with a bad case of malaise on Farmer Joe’s spread. But readers will know something’s cooking, even before Farmer Joe breaks out his guitar, because Parker-Rees’s palette comprises the same colors associated with the stuff that gets piped onto birthday cakes, and the barnyard animals, who strike poses of sophisticated ennui, clearly know a good time when it bites them on the knee. Out come the instruments in cumulative fashion, each inspired by the one before, and the farm gets back in operation, for music shows the way to happiness and contentment. The basic rhythm has swing—“The crops like the music. Me-oh-my! / Look at them stretching up to the sky”—and plenty of onomatopoeic oomph—“Doom-doom-doo”—though readers may wince at such clunky rhymes as “idea / cheer” and “yee-har / guitar.” Ultimately the book falls short of the panache of other barnyard merriments, such as Martin Waddell’s The Pig in the Pond, illustrated by Jill Barton (1992). (Picture book. 3-5)
Pub Date: April 15, 2009
ISBN: 978-0-545-12493-5
Page Count: 32
Publisher: Orchard/Scholastic
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 15, 2009
Categories: CHILDREN'S ANIMALS | CHILDREN'S ENTERTAINMENT & SPORTS
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Dinos that love to move and groove get children counting from one to 10—and perhaps moving to the beat.
Beginning with a solo bop by a female dino (she has eyelashes, doncha know), the dinosaur dance party begins. Each turn of the page adds another dino and a change in the dance genre: waltz, country line dancing, disco, limbo, square dancing, hip-hop, and swing. As the party would be incomplete without the moonwalk, the T. Rex does the honors…and once they are beyond their initial panic at his appearance, the onlookers cheer wildly. The repeated refrain on each spread allows for audience participation, though it doesn’t easily trip off the tongue: “They hear a swish. / What’s this? / One more? / One more dino on the floor.” Some of the prehistoric beasts are easily identifiable—pterodactyl, ankylosaurus, triceratops—but others will be known only to the dino-obsessed; none are identified, other than T-Rex. Packed spreads filled with psychedelically colored dinos sporting blocks of color, stripes, or polka dots (and infectious looks of joy) make identification even more difficult, to say nothing of counting them. Indeed, this fails as a counting primer: there are extra animals (and sometimes a grumpy T-Rex) in the backgrounds, and the next dino to join the party pokes its head into the frame on the page before. Besides all that, most kids won’t get the dance references.
It’s a bit hard to dance, or count, to this beat. (Picture book. 3-5)Pub Date: March 1, 2016
ISBN: 978-0-8075-1598-3
Page Count: 32
Publisher: Whitman
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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You may know the Easter Bunny, but get ready to meet Peter Easter Frog!
Peter loves Easter, and he’s not going to let the fact that he’s a frog and not a bunny stop him, especially when he’s so good at hopping! He looks absolutely delighted to be hopping around delivering Easter eggs. As he hops along, so does a repeated refrain, which always begins with two words ending with “-ity” coupled with “Easter’s on its—” (“Squishity, squashity, Easter’s on its—”; “Yippity, yappity, Easter’s on its—”); each page turn playfully upends the expected conclusion of the line. Karas’ cheery art portrays a growing array of animals: a turtle decked out in lipstick and a spiffy Easter bonnet, a cow with flower choker necklace, and a sheepdog and a chipmunk sans finery. As Peter gives out colorful, patterned Easter eggs to the other animals, they are, at first, shocked to see an Easter frog but soon join him in his charitable mission to spread Easter cheer. The moment when the cow responds to the dog’s challenge that she is not a cow-bunny by pointing out its own breed as a “sheepdog” may elicit laughs, especially from adult readers. When the group finally meets the real Easter Bunny—hilariously, at the end of a dark tunnel—it seems that things may go awry, but all ends hoppily, happily, and inclusively. The text does not use dialogue tags, instead setting narration and dialogue in separate, distinctive typefaces; unfortunately, this design is not consistently applied, which may confuse readers. (This book was reviewed digitally with 10-by-22-inch double-page spreads viewed at 26.8% of actual size.)
Charming Easter fun. (Picture book. 3-5)Pub Date: Jan. 19, 2021
ISBN: 978-1-4814-6489-5
Page Count: 32
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Jan. 13, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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