A thrilling account of a reporter’s duel with a controversial church.
Ortega, in his nonfiction debut, describes a journalist’s decadeslong battle against the Church of Scientology.
There have been assertions of horror stories involving the Church of Scientology in a plethora of books, articles, documentaries, and interviews with ex-members. This new account focuses on Paulette Cooper, one of the first journalists to investigate what many see as the questionable moral practices of L. Ron Hubbard’s religion—and one of the first people, he says, to become a target of its vengeance. In a 1969 article in Queen magazine and later in a 1971 book, The Scandal of Scientology, Cooper offered a damning exploration of the church and its practices. “More than previous writers,” notes Ortega, “Paulette focused on the harassment of those who dared to speak up about Scientology, whether they’d been in the church or not.” In response to her words, Ortega says, the church set out to destroy her life with an unprecedented yearslong campaign of litigation, defamation, intimidation, and harassment that pushed the journalist nearly to the point of suicide. In Cooper, Ortega finds the perfect foil to what he portrays as the secretive, suppressive machinations of Scientology: she’s a nearly archetypical newshound, savvy and scoop-obsessed, with a colorful history of committing fully to her work. For example, Ortega shares one anecdote of Cooper stowing away on a cruise ship for the sake of a travel piece, hiding in plain sight and stashing a change of clothes in a barroom piano. This book is far from just another look into the familiar, if terrifying, alleged tactics of the Church of Scientology; it’s a profile of a fascinating reporter making her bones and taking her lumps in the fickle world of 1970s magazine journalism. Plucky, self-possessed, and fearless in the face of the many threats—legal and otherwise—against her reputation and person, Cooper is a figure whose name is worth knowing.
A thrilling account of a reporter’s duel with a controversial church.Pub Date: May 1, 2015
ISBN: 978-1-5116-3937-8
Page Count: 404
Publisher: CreateSpace
Review Posted Online: Jan. 8, 2016
Review Program: Kirkus Indie
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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