Not only did the collaboration result in this, the author’s first published book, but the same publisher has agreed to issue...
An aspiring author discovers that writing a novel is hard work, even harder when his taskmaster mentor is his friend John Grisham.
Even with the best-selling Grisham’s encouragement, advice and painstaking edits, Vanderwarker couldn’t sell his novel. A former adman who moved to Virginia around the same time as Grisham and who shared with the novelist environmental activism and a love of sports, Vanderwarker had long wanted to channel his creativity into a book, though a bunch of unpublished manuscripts were the only results. At lunch one day, he received a surprising offer from his friend Grisham: “Look, I’d be willing to help you if you’d like. Kind of mentor you through the novel-writing process. Something I’ve never done before—not that plenty of people haven’t asked.” Grisham would later remark of the manuscript that the “dialogue doesn’t sound real.” Neither does it here, as Vanderwarker purports to remember paragraphs of conversation from a time that he wouldn’t have been taking notes. He ultimately found his mentor criticizing his characters, plotting, organization and pretty much everything else about a novel that is presented here in chunks of various drafts, with Grisham’s notes, and then revisions, with notes. “What happened to the vision of novel writing as a glorious act of creation with rays of light streaming down from on high and a string section playing in accompaniment?” he wonders. “It’s been replaced by the mundane piecework of tedious and time-consuming revision.” If nothing else, the book convinces readers that the prolific Grisham works methodically on his fiction, as the author’s experience confirms that it isn’t as easy to write a best-seller as some might think.
Not only did the collaboration result in this, the author’s first published book, but the same publisher has agreed to issue the novel that had been rejected, for which this how-to guide serves as an extended promotion.Pub Date: Feb. 4, 2014
ISBN: 978-1-62636-552-0
Page Count: 208
Publisher: Skyhorse Publishing
Review Posted Online: Dec. 13, 2013
Kirkus Reviews Issue: Jan. 1, 2014
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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