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ANOMALY

Sweet teen reading for fans of X-Men, Star Trek and all things geeky.

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This teen sci-fi debut features a nerdy heroine who can add and subtract objects from reality.

For Josie Harper’s 17th birthday, her boyfriend dumps her. Worse, she hasn’t seen her father in a month, and her summer internship at a physics lab has fallen through. She misses her deceased brother, Nick, and nothing seems right, until the darkly handsome Reid Wentworth arrives at Oceanside High on his motorcycle. He gets Josie away from her overprotective mother to explain that he—and she, now that she’s of age—have the power to Push reality; they can create inanimate objects at will, contingent on being able to visualize them. They can also Retract objects that have been Pushed, making Reid and Josie Anomalies. The catch is that both gifts draw from a finite reservoir of energy, and depleting it brings mental and physical degeneration. Reid then informs Josie that the Schrodinger Consortium wants to kill them (and others like them, called Oculi), but as a member of the Resistance, he can protect and train her. Josie is reluctant to trust Reid and his partner, Santos, but the more she contemplates her father’s absence and her mother’s work as a neurological researcher, she realizes her life isn’t quite what she thinks it is. Debut author Kuper’s sleek prose—saturated with pop-culture references—invites both nerds and the uninitiated into the world of the Oculi. “Thank Thor,” Josie says, as well as adorably dorky things like “even though he could be an underwear model, I would’ve rather made out with a Romulan.” Nods to quantum theory abound, too, with normal, non-Pushers called “Plancks,” after the physicist. The chemistry between Reid and Josie is solid, despite an underwhelming secret connection. Problematic, however, is Reid’s assertion that “We can’t Push anything with a soul,” meaning anything living or dead; Josie eventually Pushes trees and yet later cannot Push a viral serum. Aside from these slippery details, the narrative redeems itself through great twists and the positive message that reality is ours to shape.

Sweet teen reading for fans of X-Men, Star Trek and all things geeky.

Pub Date: Nov. 25, 2014

ISBN: 978-1622664054

Page Count: 400

Publisher: Entangled Teen

Review Posted Online: Dec. 4, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE POISONED KING

From the Impossible Creatures series , Vol. 2

A spectacular return to a magical world.

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Following the events of Impossible Creatures (2024), a devoted Guardian teams up with a brave princess to fight her power-hungry uncle and save the Archipelago’s dragons from a strange new threat.

Jacques the dragon summons Christopher Forrester back to the Archipelago from the human world: Dragons are dying, and no one knows why. Meanwhile, on the island of Dousha, Princess Anya’s grandfather, King Halam, has been murdered, and her father accused—though she knows he’s innocent. When Christopher and Anya take refuge on the islet of Glimt, the Berserker Nighthand helps them see how their twin missions to save the dragons and free Anya’s father are connected. They work together to create an antidote for the poison that’s killing the dragons and to keep Anya and her father safe from her murderous uncle. Meanwhile, Nighthand and Irian, the part-nereid ocean scholar, pursue their own important secret mission. Divided into three parts—“Castle,” “Dragons,” and “Revenge”—and containing elements of fairy tales, fantasy, and Shakespeare, this story continues the storyline established in the series opener, yet because it introduces new characters and obstacles, it could also stand alone. Dark-blond Anya (“five feet tall and all of it claws”) is a match for white-presenting Christopher, who, though he still misses Mal, finds that “it made a difference to have someone to move through the world with again. A friend changed the feel of the universe.” Mackenzie’s delicate, otherworldly art adorns the text.

A spectacular return to a magical world. (map, bestiary) (Fantasy. 10-15)

Pub Date: Sept. 11, 2025

ISBN: 9780593809907

Page Count: 304

Publisher: Knopf

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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THE GIVER

From the Giver Quartet series , Vol. 1

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...

In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.

As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)

Pub Date: April 1, 1993

ISBN: 978-0-395-64566-6

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

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