In an NYC landscape deeply shaped by race, sixth grader Stephen struggles to speak his piece.
“Since I was little, it’s been hard to speak up,” says Stephen. He’s half African American and half White, but even still, most people just say he’s Black. Alongside his “white-white” best friend, Dan, he’s deeply into fantasy, science fiction, and superheroes like the new Spider-Man, Miles Morales. When Dan’s cousin Chad arrives on the scene, however, things take a turn. Chad has a rep for trespassing, a penchant for contradicting Stephen, and, most wack of all, believes “they shoulda kept Spider-Man white.” For Stephen to separate himself means he must be willing to step out against that part of himself that believes going along works, if only for the current moment. After all, isn’t that how you are supposed to be—in every lane, able to do whatever, with anyone and everyone? Wes, a Black friend, thinks Stephen should just embrace the lane with his Black and brown classmates instead of “grimy heads” like Chad. How will Stephen deal? Maldonado pursues a story about biracial boyhood, healthy friendships, and self-discovery while gesturing toward the influence of social movements like Black Lives Matter in reshaping what accountable friendship looks like. Voiced in the creative language of NYC youth, the novel models what it means to embrace the power of self-awareness and relationships built on mutual respect.
Bridges everyday racism and accountable allyship with sincerity. (Fiction. 10-14)Pub Date: April 14, 2020
ISBN: 978-0-525-51843-3
Page Count: 144
Publisher: Nancy Paulsen Books
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Categories: CHILDREN'S SOCIAL THEMES
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Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
Categories: CHILDREN'S SCIENCE FICTION & FANTASY | CHILDREN'S SOCIAL THEMES
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
From award winner Telgemeier (Smile, 2010), a pitch-perfect graphic novel portrayal of a middle school musical, adroitly capturing the drama both on and offstage.
Seventh-grader Callie Marin is over-the-moon to be on stage crew again this year for Eucalyptus Middle School’s production of Moon over Mississippi. Callie's just getting over popular baseball jock and eighth-grader Greg, who crushed her when he left Callie to return to his girlfriend, Bonnie, the stuck-up star of the play. Callie's healing heart is quickly captured by Justin and Jesse Mendocino, the two very cute twins who are working on the play with her. Equally determined to make the best sets possible with a shoestring budget and to get one of the Mendocino boys to notice her, the immensely likable Callie will find this to be an extremely drama-filled experience indeed. The palpably engaging and whip-smart characterization ensures that the charisma and camaraderie run high among those working on the production. When Greg snubs Callie in the halls and misses her reference to Guys and Dolls, one of her friends assuredly tells her, "Don't worry, Cal. We’re the cool kids….He's the dork." With the clear, stylish art, the strongly appealing characters and just the right pinch of drama, this book will undoubtedly make readers stand up and cheer.
Brava! (Graphic fiction. 10-14)Pub Date: Sept. 1, 2012
ISBN: 978-0-545-32698-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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SEEN & HEARD
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