Look for a different title to entertain, rather than impersonate, young readers.

WHY?

From the Otto the Rhino series

More character sketch than story, this title will feel familiar to parents of curious children.

Protagonist “Otto [is] a rhino with a LOT of questions.” Most of these questions begin with the titular query as Otto wonders about the world, making messes and causing some upset along the way. His parents are wearied by his constant questions and decide a trip to a museum might provide him with some answers. Instead, the stimulation of the museum provokes even more questions—some about exhibits, but some are about the other museumgoers. “Why does that man have such big ears?” he asks about a bespectacled rabbit. “Why is her nose so long?” he wonders when he sees a lady anteater. Such questions make others look disapprovingly at the family, but rather than guiding him to more polite behavior, his parents simply shush him. Eventually, Otto’s questions slow down because he is tired, and his parents take him home to bed. The next morning, however, he’s wide awake and ready with the question “WHY aren’t you up yet?” Sweet, cartoonish art in vibrant colors elevates the picture book’s achievement, but on the whole, this ends up seeming more like an affirmation of adult perceptions of toddler behavior than a story for toddlers themselves.

Look for a different title to entertain, rather than impersonate, young readers. (Picture book. 3-5)

Pub Date: Sept. 1, 2014

ISBN: 978-1-58925-168-7

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: June 30, 2014

Kirkus Reviews Issue: July 15, 2014

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Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

OLIVER AND HIS EGG

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 19, 2014

Kirkus Reviews Issue: June 1, 2014

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Charming Easter fun.

PETER EASTER FROG

You may know the Easter Bunny, but get ready to meet Peter Easter Frog!

Peter loves Easter, and he’s not going to let the fact that he’s a frog and not a bunny stop him, especially when he’s so good at hopping! He looks absolutely delighted to be hopping around delivering Easter eggs. As he hops along, so does a repeated refrain, which always begins with two words ending with “-ity” coupled with “Easter’s on its—” (“Squishity, squashity, Easter’s on its—”; “Yippity, yappity, Easter’s on its—”); each page turn playfully upends the expected conclusion of the line. Karas’ cheery art portrays a growing array of animals: a turtle decked out in lipstick and a spiffy Easter bonnet, a cow with flower choker necklace, and a sheepdog and a chipmunk sans finery. As Peter gives out colorful, patterned Easter eggs to the other animals, they are, at first, shocked to see an Easter frog but soon join him in his charitable mission to spread Easter cheer. The moment when the cow responds to the dog’s challenge that she is not a cow-bunny by pointing out its own breed as a “sheepdog” may elicit laughs, especially from adult readers. When the group finally meets the real Easter Bunny—hilariously, at the end of a dark tunnel—it seems that things may go awry, but all ends hoppily, happily, and inclusively. The text does not use dialogue tags, instead setting narration and dialogue in separate, distinctive typefaces; unfortunately, this design is not consistently applied, which may confuse readers. (This book was reviewed digitally with 10-by-22-inch double-page spreads viewed at 26.8% of actual size.)

Charming Easter fun. (Picture book. 3-5)

Pub Date: Jan. 19, 2021

ISBN: 978-1-4814-6489-5

Page Count: 32

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: Jan. 13, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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