A family must face its own secrets to deal with crisis in a well-crafted debut.
Shame and miscommunication drive wedges between loving siblings at turning points in their lives.
The Irish American family of the title runs a successful pub bearing their name in a small New York town. They’re close-knit, but most of them keep shameful secrets from each other. Father Mickey worries he has dementia (and has never talked about his past Irish Republican Army connections); oldest son Denny is stressed because he’s about to open a second pub for which he has borrowed a lot of money via sketchy methods and because his wife has moved out. His brothers, artistic Jackie and Shane, who’s intellectually disabled but a hardworking bundle of energy, are both haunted by the abrupt and mysterious departure to California five years ago of their sister, Sunday. Now she’s home, recuperating from a drunken car wreck but enigmatic as ever, which is really stressing out Denny’s best friend and business partner, Kale Collins, who is also Sunday’s former fiance. He might have moved on to marriage and fatherhood, but the torch he carries for Sunday is hot enough to burn down both their houses. Lange builds the plot by switching to a different character’s point of view in each chapter, giving the reader angles on events that are sometimes intriguingly different. The Brennan men, including Kale, who pretty much grew up with them, rally around Sunday when she’s threatened, although they do have a touch of toxic masculinity, tending to think of violent revenge as a solution, and sometimes acting on it. The Brennan matriarch, Maura, has been dead for several years when the story begins, but her influence plays a surprising role. The Brennans find redemption, but Lange doesn’t wrap things up too neatly—some of those old secrets have new echoes.
A family must face its own secrets to deal with crisis in a well-crafted debut.Pub Date: Aug. 3, 2021
ISBN: 978-1-250-79622-6
Page Count: 288
Publisher: Celadon Books
Review Posted Online: Aug. 11, 2021
Kirkus Reviews Issue: Sept. 1, 2021
BOOK REVIEW
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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