In this story of family dysfunction, two sisters attempt in very different fashions to cope with the death of their mother. Pearl, who is older, practices white magic, paints her face white, and wears cut-up black dresses. Delia devotes her body and soul to ballet after enrolling in a Washington school run by a Russian émigré teacher. Their father sends Pearl to a private school where she is assigned the task of training a difficult horse. By the end of the story, she has found happiness and a career—horse trainer. Delia follows a more difficult path. She loves to dance but finds herself in the back row of the corps when a famous former dancer stages a ballet choreographed by a famous Mr. P. (Balletos will perhaps find hints of George Balanchine and his seminal American masterpiece, Serenade.) Madame, who runs the ballet school, tells Delia that she is too fat and too ordinary to attain the status of prima ballerina. At the same time, fortunately, Delia finds meaning and purpose in studying the ghost dances of the late-19th-century Plains Indians and Brazilian dance. The issues of teen rebellion, anorexia, and family communication are treated too glibly while the constant stream of ballet terminology could confuse even an aspiring dancer. The references to New York companies and schools are out of date and too esoteric for most readers, though budding Delias will probably not mind. (Fiction. 12-14)
Pub Date: Nov. 1, 2002
ISBN: 0-06-028182-0
Page Count: 288
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
Fans of Cameron’s Huey and Julian stories (More Stories Huey Tells, 1997, etc.) are in for a treat as Gloria, their friend from those tales, gets a book of her own and graciously allows the two brothers to share it . In the first tale, Gloria makes a wonderful card for her mother, but the wind blows it away and it ends up in the cage of a cantankerous parrot. Thanks to Mr. Bates, Huey and Julian’s dad, the day is saved, as is the burgeoning friendship that Gloria and the boys have struck up with new neighbor Latisha in the story, “The Promise.” In another story, Gloria has to deal with a huge problem—fractions—and this time it’s her dad who helps her through it. Mr. Bates proves helpful again when the group trains an “obsessed” puppy, while Gloria’s mother is supportive when Gloria is unintentionally hurt by her three best friends. The stories are warm and funny, as Gloria, a spunky kid who gets into some strange predicaments, finds out that her friends and wise, loving adults are good to have around when trouble beckons. Great fun, with subtly placed, positive messages that never take center stage. (b&w illustrations) (Fiction. 8-12)
Pub Date: March 9, 2000
ISBN: 0-374-32670-3
Page Count: 93
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
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