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THAT YOU ARE HERE IS NO SMALL THING

A sumptuous work that urges readers to recall the past in order to truly appreciate the here and now.

A poetic telling of what it took for three Black children to exist in this place and time, from two kid lit powerhouses.

On the title page, a trio of brown-skinned youngsters clad in pastel pajamas sleep side by side. “The world is forever changed because you are here.” The kids float into a darkened sky, then awaken, stretch, and gather the stars and planets into a funnel of light. The narrator evokes memories of the historical and cultural underpinnings of these children’s lives, referencing the African deities Mami Wata and Orisha, ancestors who could fly, a grandmother generations back who taught herself to read by candlelight, and a grandfather’s grandfather whose cooking talent resulted in a smothered chicken dish “so good, we still chase that recipe.” Todd’s verse is both eloquent and commanding, while Harrison’s soft, even dreamy visuals are infused with rich symbolism. One striking image features five Black women from different historical eras sewing a flag that includes the flag of the 13 colonies, kente cloth, West African Adinkra symbols, and multicolored patchwork, sending the powerful message that African Americans have always made beauty out of whatever they had; indeed, they’ve contributed mightily to the making of the United States of America. Throughout the entire story, a blue ribbon of color weaves around objects, people, and events, tying the past to the present.

A sumptuous work that urges readers to recall the past in order to truly appreciate the here and now. (author’s note) (Picture book. 4-8)

Pub Date: Sept. 1, 2026

ISBN: 9780593353028

Page Count: 32

Publisher: Viking

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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