For fans of figure skating, this book is edgy and serious enough to not feel like a guilty pleasure.
O’Neill’s debut novel tracks an aspiring figure skater’s journey of obsession, triumph, failure, and addiction.
In a psych ward in New Hampshire, 17-year-old Alivopro “Ali” Doyle tells her doctor, “In the beginning was skating, and skating was everything….” At one time, Ali was an Olympic hopeful training for the regional championships, until a fall on the ice caused neck trauma and ended her amateur career. As the narrative weaves through sessions with her psychiatrist and a recounting of her training as a figure skater, what emerges is not a predictable story of loss and hope but a complex family drama. While Ali’s father, Alvin, embraces her ambition as a distraction from his own depression, her mother, Lou, is more disturbed by Ali’s single-minded desire to be a champion at any cost. Further complicating this dynamic is that Ali is adopted, born to a Native American mother. For Ali, her ethnicity and unknown heritage bring up insecurities about her body as she tries to keep herself in “Olympic condition,” and her adoption often becomes a sticking point in arguments between Ali and Lou. After her accident, the family that was tentatively held together by a common goal begins to fall apart. Ali becomes addicted to amphetamines, determined to lose weight and start skating again, with predictably disastrous results. The entry into this novel can be difficult. The chronology is often unclear; many chapters are almost exclusively unmarked dialogue between Ali and her therapist; and sometimes the reader is not given enough context to fully understand a scene. But the book soars in its descriptions of figure skating, capturing its strange and brutal beauty and achieving a beauty of its own in the process.
For fans of figure skating, this book is edgy and serious enough to not feel like a guilty pleasure.Pub Date: June 15, 2015
ISBN: 978-1-63246-002-8
Page Count: 258
Publisher: Ig Publishing
Review Posted Online: March 28, 2015
Kirkus Reviews Issue: April 15, 2015
BOOK REVIEW
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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