A worthy blend of psychology, ethnography, and feminist theory that investigates the factors shaping women’s perceptions of...



A book offers a qualitative study of women’s feelings about life choices and empowerment.

In this work, Cooper (Sophie Star Child, 2015) draws on a combination of Jungian theory, popular nonfiction, and assorted interviews to explore the elements of women’s empowerment. The author begins on a personal note, tracing her own “journey toward empowerment” and those of other women in her life. The book then broadens its focus to examine larger questions of what constitutes empowerment, why it matters, and how it affects quality of life. After establishing the study’s theoretical basis, the volume moves into extended excerpts from interviews with more than a dozen participants, women of varying ages and experiences responding to questions about fulfillment, happiness, work, and family. They share stories of challenges, emotions, aspirations, and tactics for managing their personal and professional lives, providing the raw material from which Cooper draws broader conclusions on empowerment and delivers advice to readers on maximizing their own contentment. She emphasizes that “a woman’s highest obligation is to love herself without condition, in the manner one would love a child or one’s best friend.” The writing style in these pages is varied, veering between conversational prose and forests of jargon (“By integrating empowerment, Jung’s animus and anima theory and psychological happiness and how this relates to actual lived contemporary female experience displayed in the interviews conducted, we can identify models of effective interventions, treatments and modalities”). The approaches to the topic range from clinical to spiritual (“Destiny is inviting women at this time in history to shake off old outworn personas and beliefs and step into the Sun, taking our rightful place again as Goddesses of the Earth”). While sweeping statements like “in essence, the 21st century woman is in a crisis of the soul” are somewhat excessive, the book provides a valuable perspective on the realities of contemporary women’s lives and a framework for understanding them in a theoretical context, as well as strategies for maximizing one’s own authority and satisfaction. An extensive bibliography and in-text citations place the book within the context of Cooper’s substantial research.

A worthy blend of psychology, ethnography, and feminist theory that investigates the factors shaping women’s perceptions of their lives.

Pub Date: Nov. 28, 2016

ISBN: 978-1-63051-405-1

Page Count: 100

Publisher: Chiron Publications

Review Posted Online: May 16, 2017

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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