by Tricia Yost ‧ RELEASE DATE: N/A
A probing, sometimes-intriguing summer’s tale.
A coming-of-age novel follows a young woman searching for a direction in her life.
In the late 1980s, Lee Bauer returns home to Toledo, Ohio, after flunking out of her first year of college. Lee’s grades suffered not from a dearth of intelligence, but a lack of motivation; she became uninterested in school and “flaked” on her homework. She’s lost her connection with longtime friend Courtney—who seemed to thrive in her first year at college—and is burned out by the social scene in Toledo, full of fellow ne’er-do-wells getting high at house parties, like Derrick, a muscular pothead who’s coming off a tough breakup. To pay back her parents—her gruff father, a postman, and her weary mother, a waitress—Lee finds a job at an ice cream factory, toiling eight hours a day packaging products on an assembly line. While the position eventually becomes mindless to her, she makes friends with some of her fellow shift workers: Paul, a gossip hound; Ned, a family man; Kevin, a younger worker with eyes for Lee; and Kris, a witty, fascinating woman. As Lee starts to form new bonds, she also begins to more fully explore her desire for women, something she had only briefly indulged in before. As the summer progresses, Lee must confront her listlessness and find a life for herself, lest she fall into the trap of working at the factory full time. Yost’s (Votives, 2017, etc.) prose is meditative, imbuing the milieu of the small city with existential weight. Lee is well-developed as a central character, sadly realistic about her hometown (“Toledo never had anything to offer teenagers or college kids…they were the lost generation redone. In Toledo, we sought dark woods and abandoned alleys in which to get stoned or screwed, then faced the endless problem of what to do after burning the joint or buttoning the pants. Prospects were bleak for the unimaginative”). Her quest for meaning is full of mistakes and setbacks as well as illuminating steps toward clarity, particularly in discovering her sexuality. The rest of the characterization is a bit uneven—Lee’s father and Kris have captivating, rounded characters while Lee’s mother and sister, for instance, can feel static. The plot comes to a subtle, if uneasy, end, which is fitting for Lee’s character but will likely be somewhat frustrating for readers.
A probing, sometimes-intriguing summer’s tale.Pub Date: N/A
ISBN: 978-0-9984146-0-7
Page Count: 254
Publisher: Radial Books, LLC
Review Posted Online: March 31, 2018
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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