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MY RAINBOW

A revolutionary representation of joy and self-expression.

A loving mother helps her daughter express herself and feel like a rainbow.

Trinity, an autistic, Black, transgender girl wishes she had long hair. But growing it out is a struggle because she hates hair touching her neck. Seeing her daughter’s sadness, Trinity’s mom, a Black cisgender woman with natural hair cropped close, listens to Trinity’s concerns. At first, she tries to reassure Trinity that girls can wear their hair short, but Trinity still doesn’t feel happy. Honoring the truth that Trinity knows herself best, Trinity’s mom puts her love and devotion into creating a curly, teal, pink, and purple wig for Trinity, with some help from Trinity’s older sibling. Richly colored and invitingly detailed full-spread illustrations that complement the story’s title and theme accompany the text. The narrative centers a Black family whose members are depicted in the illustrations with skin that is a range of rich browns. In the midst of Trinity’s struggle with her gender expression, her mom models listening and affirmation. She acknowledges that her own experiences with societal expectations of gender expression as a cisgender woman are different from Trinity’s. Even as the story shifts to show Trinity’s cisgender mother’s perspective, Trinity’s feelings remain the focus and her happiness the motivation. Apart from the use of person-first language (“kids with autism”) instead of identity-first language, Neal and Neal emphasize that all aspects of Trinity’s identity deserve celebration and make her a masterpiece. (This book was reviewed digitally with 10.8-by-17-inch double-page spreads viewed at 60.9% of actual size.)

A revolutionary representation of joy and self-expression. (Picture book. 4-7)

Pub Date: Oct. 20, 2020

ISBN: 978-1-984814-60-9

Page Count: 32

Publisher: Kokila

Review Posted Online: June 29, 2020

Kirkus Reviews Issue: July 15, 2020

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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