All ends well in this parade filled with good spirits and optimism.

RETTIE AND THE RAGAMUFFIN PARADE

A THANKSGIVING STORY

A parade brings good tidings to an immigrant community beset by war, poverty, and illness.

Thanksgiving morning on the Lower East Side is a special day for a white immigrant girl named Loretta “Rettie” Stanowski. It’s the day of the Ragamuffin Parade, when children dress in rags and collect pennies thrown at them. Nine-year-old Rettie, blonde and rosy-cheeked, needs those pennies because she is the head of her family. Papa is fighting in Europe in the closing days of World War I, and Mama is sick in bed with consumption. Rettie’s little siblings are hungry. Complicating matters in the neighborhood are the quarantine signs for the influenza pandemic. Despite all this, Rettie rises to the occasion, receiving compliments from a visiting nurse as she cleans, prepares food, and teaches her little sisters and brother their school lessons. All ends well as the fighting stops, Mama regains her health, and the flu scare abates. Pumpkins and apples adorn the tenement apartment as “a young girl’s heart is filled with the hope of Thanksgiving.” Noble’s tale of parades and tenement life positively brims to overflowing with good cheer, culminating on Thanksgiving Day 1918. Gardner’s full-color illustrations depict a bustling community where good spirits overcome bad happenings.

All ends well in this parade filled with good spirits and optimism. (photograph, author’s note) (Picture book. 4-7)

Pub Date: Sept. 1, 2017

ISBN: 978-1-58536-960-7

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 2, 2017

Kirkus Reviews Issue: July 15, 2017

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A quiet, thought-provoking story of environmental change and the power humans have to slow it.

THE OLD BOAT

A multigenerational tale of a boat’s life with a Black family, written by two brothers who loved similar boats.

In the opening spread, a smiling, brown-skinned adult dangles a line from the back of a green-and-white boat while a boy peers eagerly over the side at the sea life. The text never describes years passing, but each page turn reveals the boy’s aging, more urban development on the shore, increasing water pollution, marine-life changes (sea jellies abound on one page), and shifting water levels. Eventually, the boy, now a teenager, steers the boat, and as an adult, he fishes alone but must go farther and farther out to sea to make his catch. One day, the man loses his way, capsizes in a storm, and washes up on a small bay island, with the overturned, sunken boat just offshore. Now a “new sailor” cleans up the land and water with others’ help. The physical similarities between the shipwrecked sailor and the “new sailor” suggest that this is not a new person but one whose near-death experience has led to an epiphany that changes his relationship to water. As the decaying boat becomes a new marine habitat, the sailor teaches the next generation (a child with hair in two Afro puffs) to fish. Focusing primarily on the sea, the book’s earth-toned illustrations, created with hundreds of stamps, carry the compelling plot.

A quiet, thought-provoking story of environmental change and the power humans have to slow it. (Picture book. 4-7)

Pub Date: March 2, 2021

ISBN: 978-1-324-00517-9

Page Count: 56

Publisher: Norton Young Readers

Review Posted Online: Dec. 25, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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