Run-of-the-mill romantic escapism in which the characters happen to be African-American.
In the fifth “Nappily” novel from Thomas (Nappily in Bloom, 2009, etc.), heroine Venus struggles to trust her husband, whose career throws him into the arms of a former love.
Having been together six years, Venus and husband Jake are happily ensconced in a gated community in Atlanta. Venus’s flower shop is a success and they can even afford private school for Venus’s daughter Mya (by her old beau Airic) now that ex–rap star and clothing designer Jake’s new career as an actor has taken off. But his career turns into a problem when Jake is cast in a movie back in California with his old flame, rising star Sirena. Wanting the public to think there’s genuine heat between the screen lovers, the movie’s PR people keep Venus in the background. Though resentful, she tries not to be jealous, reminding herself she can trust loyal Jake completely. But Sirena, a self-serving and conniving beauty, wants Jake back. Although Jake is tempted by her undeniable charms, he truly loves Venus and resists. But Sirena has a powerful secret up her sleeve. When she and Jake broke up nine years ago—he dumped her when he caught her in flagrante with another man—she was pregnant. The boy Christopher is now being raised by her father as if he is Sirena’s brother, but she’s ready to claim him as her and Jake’s son since she knows Jake would love a child, especially a son, of his own. Meanwhile Venus, the object of her own flirtatious attention from the father of Mya’s best friend, receives advice from both her mother, who is having her own marital issues, and Venus’s former nemesis Trevelle. Repetitiousness dulls the tension of the temptations Jake faces. Trevelle, who has become romantically involved in a genuinely sweet romance with Venus’s white employee Vince, ends up being the real scene-stealer.
Run-of-the-mill romantic escapism in which the characters happen to be African-American.Pub Date: June 1, 2010
ISBN: 978-0-312-55763-8
Page Count: 288
Publisher: St. Martin's Griffin
Review Posted Online: Jan. 4, 2011
Kirkus Reviews Issue: May 1, 2010
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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