by Tristine Rainer ‧ RELEASE DATE: July 11, 2017
Feminists and fans of Nin’s work will enjoy this unique insider’s portrait of a complex, pivotal figure in women’s...
Getting to know lust, love, and Anaïs Nin (1903-1977).
In 1962, a month before she turned 18, Rainer (Your Life as Story, 1997, etc.) met Cuban-born Nin, the noted diarist, famous lover of Henry Miller, and popular erotica author, at Nin’s Greenwich Village apartment while on an errand for her godmother, Lenore Tawney, the noted fabric artist. Rainer was attending a Catholic high school and still a virgin. She met Nin’s supportive husband, Hugo Guiler, Caresse Crosby, founder of Black Sun Press, and Nin’s 30-something friend Jean-Jacques. In a Delta of Venus manner, the impressionable author describes how she went with them to a night club, danced, drank, smoked pot, and, later, experienced with Jean-Jacques what “today…would likely be considered a form of date rape.” So begins her spicy and saucy hybrid of memoir and novel. This gives her the freedom to fictionalize events and encounters whenever she feels it appropriate. Over the next 15 years, up to Nin’s death in 1977, she became a close friend and mentor to Rainer, encouraging her writing and advising her on lifestyle matters—mostly sexual. Rainer became a devotee of Nin’s philosophy of life: “A woman has an equal right to pleasure as a man.” She was dazzled by Nin’s persona, beauty, and sexual history. When Rainer became a college professor—she eventually went on to co-found the UCLA Women’s Studies Program—she was able to have Nin give talks to her students. She enjoyed her new life of sexual freedom, the parties, new friends, and trips, many to visit Nin’s other husband in California, the “gorgeous” Rupert Pole, getting herself awkwardly involved in Nin’s secret, two-husband juggling act. Over time, she realized that Nin was a “deeply flawed person—a narcissist, a bigamist, a liar, and a deviant,” but she was also “so loveable.”
Feminists and fans of Nin’s work will enjoy this unique insider’s portrait of a complex, pivotal figure in women’s liberation.Pub Date: July 11, 2017
ISBN: 978-1-62872-778-4
Page Count: 384
Publisher: Arcade
Review Posted Online: April 22, 2017
Kirkus Reviews Issue: May 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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