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A TREE OF NIGHT and Other Stories

Doubtful- yes- for the critical reception accorded Truman Capote last year- and the sensational success of his first book will establish acceptance, in many quarters, for this, his second. As in Other Voices, Other Rooms, Mr. Capote still concerns himself with dark corners and perversions. However, in using the short story rather than the novel form to play around these inverted folk, A Tree of Night avoids the rambling vagaries that characterized Other Voices. These stories are bold, even crystalline, showing a remarkable beauty of language and a variation of setting that eliminates the hot house, overgrown plant atmosphere of Capote's novel. There is the story of Miriam, a lonely New Yorker in her sixties who finds herself suddenly aware that she is schizophrenic, and faced with her image in the shape of a persistent, evil little girl of ten... The title story, which takes place on a hot, stale train going to Atlanta, deals with the sophomore Kay and her encounters with two passengers, — a drunken fat woman, and a deaf, salacious old man, these two representing a kind of tenacious insanity... Master Misery, another New York City story, tells of Sylvia who sells her dreams, and in the process, her soul, to a gentleman who types them up and files them away.....The already known The Headless Hawk goes into subterranean twisted-mind territory and the strange goings on between a homosexual- heterosexual art dealer and his equally homosexual-heterosexual love.....There are others, like Shut a Final Door, in which a man is pursued by his own private demons, and like Children on their Birthdays, which presents an overly mature and frustrated child — all sensitive and creative, with their own special type of brilliance. Mr. Capote sets up struggles between his characters and then places them in environments that waver from the psychotic to the supernatural... Not palatable reading for the conservative, the tender skinned. The market is obvious, from his first.

Pub Date: Feb. 28, 1949

ISBN: N/A

Page Count: -

Publisher: Random House

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: Feb. 1, 1949

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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