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OTTER MOON

An otter with the soul of a poet goes on a moonlit quest. Flibbertigibbet sleeps all day and prowls his woodland world by the light of the “freckly” moon, admiring the wonders of nature. One night, King Otter disturbs his reverie with an insult and a demand: The “lazy” Flibbertigibbet must catch him a fish on a silver dish before first light. Flibberty swims quickly downstream and, upon surfacing, gets an offer of help from majestic Heron. The duo travels in tandem for miles, nearly to the sea, further than Flibberty has ever swum. It’s nearly morning, there’s no sign of Heron and no sign of a fish; Flibberty rounds a bend and there stands King Otter, awaiting his meal. All seems lost until a (nearly literal) Hail Mary pass saves the day, and turns this odyssey into an allegory. Humphries’s lyrical prose, festooned with internal rhymes and wordplay, is perfectly matched to his beautiful, dusky watercolors. They shine with a silvery light, investing the adventure with a suitably majestic magic. First-rate. (Picture book. 6-9)

Pub Date: Sept. 1, 2009

ISBN: 978-1-906250-69-0

Page Count: 32

Publisher: Boxer Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2009

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GROWING HOME

Charming.

An assortment of unusual characters form friendships and help each other become their best selves.

Mr. and Mrs. Tupper, who live at Number 3 Ramshorn Drive, are antiquarians. Their daughter, Jillian, loves and cares for a plant named Ivy, who has “three speckles on each leaf and three letters in her name.” Toasty, the grumpy goldfish, lives in an octagonal tank and wishes he were Jillian’s favorite; when Arthur the spider arrives inside an antique desk, he brings wisdom and insight. Ollie the violet plant, Louise the bee, and Sunny the canary each arrive with their own quirks and problems to solve. Each character has a distinct personality and perspective; sometimes they clash, but more often they learn to empathize, see each other’s points of view, and work to help one another. They also help the Tupper family with bills and a burglar. The Fan brothers’ soft-edged, old-fashioned, black-and-white illustrations depict Toasty and Arthur with tiny hats; Ivy and Ollie have facial expressions on their plant pots. The Tuppers have paper-white skin and dark hair. The story comes together like a recipe: Simple ingredients combine, transform, and rise into something wonderful. In its matter-of-fact wisdom, rich vocabulary (often defined within the text), hint of magic, and empathetic nonhuman characters who solve problems in creative ways, this delightful work is reminiscent of Ferris by Kate DiCamillo, Our Friend Hedgehog by Lauren Castillo, and Ivy Lost and Found by Cynthia Lord and Stephanie Graegin.

Charming. (Fiction. 6-9)

Pub Date: May 27, 2025

ISBN: 9781665942485

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE NOT BAD ANIMALS

An amiable point-counterpoint for budding animal lovers/haters.

Forty-two creatures of ill repute, from scorpions to hyenas, put on their best faces and protest that they’re just misunderstood.

In paired double-page spreads, Corrigan first presents for each animal the case for considering it scary or gross, then, with the page turn, allows it to contradict itself. “I’m creepy and I’m crawly,” a spider supposedly gloats. “I spin webs from my butt and leave them in places where I KNOW you’ll get stuck in them.” In the following spread, the spider points out that “Only half of my kind spin webs, and we really, REALLY don’t want you to get stuck in them!” Along with pointing to roles in the natural order and including many crowd-pleasing references to butts and poop, these counterarguments tend to run along the lines of the rat’s “I’m a fluffy little SWEETIE!” and the toad’s “I am a plump lump of CUTENESS!” Each testimonial is backed up by a box of background information baldly labeled “FACTS.” Readers may find the chorus of smiley faces and claims of adorability unconvincing, but they will at least come away with more nuanced impressions of each creepy-crawly. The humorous cartoon illustrations don’t measure up to the in-your-face photos of Seymour Simon’s classic Animals Nobody Loves (2001), but this gallery of beasties unfairly regarded as “icky and ewwy and downright gross” is considerably broader.

An amiable point-counterpoint for budding animal lovers/haters. (glossary) (Nonfiction. 6-9)

Pub Date: April 7, 2020

ISBN: 978-0-7112-4748-2

Page Count: 160

Publisher: Frances Lincoln

Review Posted Online: Feb. 25, 2020

Kirkus Reviews Issue: March 15, 2020

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