Fellini’s personality remains slightly elusive, but Kezich delineates his artistic achievements with authority and...
A solid biography of the famed Italian director, particularly strong on the evolution of his movies’ style and subject matter.
Corriere della Sera film critic Kezich (Dino, 2004) first met Fellini (1920–93) after a screening of The White Sheik at the 1952 Venice Film Festival, forming a lifelong friendship that enables the author to knowledgeably discuss the director’s working methods and discreetly allude to his complicated personal life. (The arrivals and departures of various girlfriends are noted, though in Kezich’s judgment he remained fundamentally loyal to wife Giulietta Masina.) Fellini’s youth in the provincial town of Rimini, seedbed for I Vitelloni and Amarcord, is covered briefly; like most ambitious young Italians, he departed as soon as possible for Rome, where he was a popular newspaper columnist and radio writer before discovering his life’s work as screenwriter for Roberto Rossellini’s Open City and Paisan. Growing up in fascist Italy, young Fellini displayed a cheerful political apathy that disconcerted dogmatic critics when he achieved his first real fame in the 1950s with La Strada and Nights of Cabiria, both starring Masina. “Why was the political left so slow to recognize whose side the director was on?” asks Kezich, who correctly discerns sympathy for the underdog and hatred of repressive authority in all of Fellini’s work. Tracing the director’s progress from the scandalous La Dolce Vita and the revelatory, autobiographical 8½ through such later films as Satyricon, Orchestra Rehearsal and And the Ship Sails On, the author sees Fellini moving beyond the nostalgic, folkloric atmosphere of his early films to a more adult confrontation with modern life, explored in a bold, idiosyncratic, often surreal style. Longtime collaborators like composer Nino Rota and cinematographer Giuseppe Rotunno get their due, and Kezich astutely anatomizes Fellini’s tumultuous interactions with practically every Italian producer of note, including Dino De Laurentiis, and his affectionate yet charged relationship with cinematic alter-ago Marcello Mastroianni.
Fellini’s personality remains slightly elusive, but Kezich delineates his artistic achievements with authority and perceptiveness.Pub Date: March 7, 2006
ISBN: 0-571-21168-2
Page Count: 464
Publisher: Faber & Faber/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
BOOK REVIEW
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
For the author’s fans.
A Fox News journalist and talk show host sets out to prove that she is not “an empty St. John suit in five-inch stiletto heels.”
The child of devout Christians, Minnesota native Carlson’s first love was music. She began playing violin at age 6 and quickly revealed that she was not only a prodigy, but also a little girl who thrived on pleasing audiences. Working with top teachers, she developed her art over the years. But by 16, Carlson began “chafing at [the] rigid, structured life” of a concert violinist–in-training and temporarily put music aside. At the urging of her mother, the high achiever set her sights on winning the Miss T.E.E.N. pageant, where she was first runner-up. College life at Stanford became yet another quest for perfection that led Carlson to admit it was “not attainable” after she earned a C in one class. At the end of her junior year and again at the urging of her mother, Carlson entered the 1989 Miss America pageant, which she would go on to win thanks to a brilliant violin performance. Dubbed the “smart Miss America,” Carlson struggled with pageant stereotypes as well as public perceptions of who she was. Being in the media spotlight every day during her reign, however, also helped her decide on a career in broadcast journalism. Yet success did not come easily. Sexual harassment dogged her, and many expressed skepticism about her abilities due to her pageant past. Even after she rose to national prominence, first as a CBS news broadcaster and then as a Fox talk show host, Carlson continued—and continues—to be labeled as “dumb or a bimbo.” Her history clearly demonstrates that she is neither. However, Carlson’s overly earnest tone, combined with her desire to show her Minnesota “niceness…in action,” as well as the existence of “abundant brain cells,” dampens the book’s impact.
For the author’s fans.Pub Date: June 16, 2015
ISBN: 978-0-525-42745-2
Page Count: 272
Publisher: Viking
Review Posted Online: March 27, 2015
Kirkus Reviews Issue: April 15, 2015
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