A spirited, passionate account of a man who deserves his own film, starring Anthony Quinn.

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DINO

THE LIFE AND THE FILMS OF DINO DELAURENTIIS

The life of a great movie producer inevitably ends up being more about the movies than the man.

Born in a small Neapolitian village in 1919, son of a pasta maker, Agostino DeLaurentiis was later, and correctly, described as a sort of Italian Horatio Alger. Agostino (who would later christen himself “Dino” in an early display of showbiz smarts) went to Rome to study acting when still a teenager. There, he quickly threw himself into the world of film, producing his first one by the age of 22. A short, unwilling stint in the army—marked more by black comedy than heroism or tragedy—barely interrupted DeLaurentiis’s rise to prominence, which coincided with the postwar flowering of Italian cinema. His partnership with Fellini resulted in the classics La Strada and Nights of Cabiria while, at the same time, he was producing grand, popular epics like the Audrey Hepburn version of War and Peace. Working at a pace that seems close to compulsive, DeLaurentiis cut a swath through the jet-set film world, producing his eclectic mix of art and spectacle films, squiring his withdrawn actress wife Silvana Magano to festivals, building the massive Dinocittà film studio outside Rome and always dealing, dealing, dealing. He moved to New York in the 1970s and struck gold with hits like Serpico and Three Days of the Condor. Now in his early 80s, DeLaurentiis is producing the $150 million Baz Luhrmann saga Alexander the Great. Kezich and Levantesi, both Italian film critics, seem a bit cowed by their subject—there’s an occasional attempt to bring this larger-than-life, tall-tale–teller to the truth, but mostly they let their account explode with the man’s zest for life and movies. By the end, it’s hard not to be duly impressed as well by DeLaurentiis, who showed as much love for his ill-fated King Kong remake as he did for the little Bergman film The Serpent’s Egg. And who else would have fought to have David Lynch direct Dune?

A spirited, passionate account of a man who deserves his own film, starring Anthony Quinn.

Pub Date: March 1, 2004

ISBN: 0-7868-6902-X

Page Count: 288

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 15, 2004

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

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The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 16, 2020

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