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AFIKOMEN

The origins of Passover, expressed in a unique fashion.

Passover magic.

A seder’s leader breaks a matzah in half and places it in an afikomen bag. (Afikomen is a matzah portion eaten at seder’s end and usually hidden for children to find for a prize.) The family dog grabs it and scurries under the table. Following the dog, three Jewish children magically find themselves, with dog and bag, along the banks of the Nile in ancient Egypt. Across the river, a woman, standing with her daughter, places a basket in the river; it floats away. Eventually, the children discover the basket contains an infant. With the children’s help, the baby drifts to the Pharaoh’s daughter, who rescues him. The baby’s sister and the children bid farewell; children and dog return home. Later, their parents are bewildered to see sand spilling from the bag! The author’s note describes the story of Passover, though the book itself is wordless. But children who know about Moses’ early life know he was the infant in the basket. They also know there couldn’t have been Passover without Moses. It makes sense that this comic-style book is wordless, since children must “recite” the elements of the evocative ink-and-watercolor panel illustrations as if they were reciting the Exodus story from the Haggadah itself. The artist does a fine job capturing particulars (whorls in the Nile suggesting flowing water; children playing with frogs). The protagonists are tan-skinned; seder guests are diverse. (This book was reviewed digitally.)

The origins of Passover, expressed in a unique fashion. (Picture book. 4-8)

Pub Date: March 7, 2023

ISBN: 9781773066066

Page Count: 32

Publisher: Groundwood

Review Posted Online: Jan. 11, 2023

Kirkus Reviews Issue: Feb. 1, 2023

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HOW TO CATCH A DADDYSAURUS

From the How To Catch… series

This frenetic ode to fatherhood is predictable fare but may please series fans.

It’s time to look for the elusive Daddysaurus.

In this latest installment in the seemingly never-ending series about a group of diverse kids attempting to trap mythical creatures, the youngsters are now on the lookout for a big mauve dinosaur with an emblazoned D on his stomach and a superhero cape. The fast-moving Daddysaurus is always on the go; he will be difficult to catch. Armed with blueprints of possible ideas, the kids decide which traps to set. As in previous works, ones of the sticky variety seem popular. They cover barbells with fly paper (Daddysaurus like to exercise) and spread glue on the handle of a shovel (Daddysaurus also likes to garden). One clever trick involves tempting Daddysaurus with a drawing of a hole, taped to the wall, because he fixes everything that breaks. Daddysaurus is certainly engaged in the children’s lives, not a workaholic or absent, but he does fall into some standard tropes associated with fathers. The rhyming quatrains stumble at times but for the most part bounce along. Overall, though, text and art feel somewhat formulaic and likely will tempt only devotees of the series. The final page of the book (after Daddysaurus is caught with love) has a space for readers to write a note or draw a picture of their own Daddysaurus. (This book was reviewed digitally.)

This frenetic ode to fatherhood is predictable fare but may please series fans. (Picture book. 4-8)

Pub Date: April 1, 2023

ISBN: 978-1-72826-618-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 11, 2023

Kirkus Reviews Issue: Feb. 1, 2023

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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