A flawed but admirably ambitious bildungsroman.
A young man struggles to support his family in a fractured Nigerian homeland.
Awoke’s debut novel is narrated by Dimkpa, whom we first meet at 14 getting a blunt education about Nigeria’s social and political stratification. His mother is a devoted Catholic while his father is an adherent to Igbo tradition; when the father is bullied out of his promised role as a town elder, Dimkpa learns that his family has been deemed “ohu ma,” or outsiders, by the community. But why? His search for answers (and money to support his family) takes him to Lagos, where an abusive Muslim matron pits the houseboys against each other for sport; to the meeting rooms of Biafran revolutionaries, who are dealing with their own internal strife; to quarries and mines where he and his friends risk their lives; to a university where he might put his passion for writing to use. (The book makes reference to numerous classic African and African American writers, including Toni Morrison, Chinua Achebe, Alain Mabanckou, and Ralph Ellison, though Dimkpa has a particular affection for The Catcher in the Rye.) Lyrical interstitial chapters slowly disclose the mystery of Dimkpa’s family status as ohu ma, but the prose is more typically plainspoken. That makes the story clear, but also dulls it somewhat: Awoke plainly aspires to offer a cross-section of contemporary Nigeria and its shortcomings, but it lacks the tart, satiric bite that would match Dimkpa’s sense of injustice. And the strategy of bouncing across milieus means that characters and plot threads are occasionally dropped. Still, the novel has a sturdy spine in Dimkpa, who piles up psychic and physical scars throughout his travels as he realizes that to be loyal to any one tribe is to be complicit in factionalism and violence. “Hatred, it seems, is our heritage,” he laments.
A flawed but admirably ambitious bildungsroman.Pub Date: June 25, 2024
ISBN: 9781646221905
Page Count: 352
Publisher: Catapult
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.
A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).
Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.Pub Date: Oct. 28, 2025
ISBN: 9780063453913
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
PERSPECTIVES
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