Delightful encounters with passionate readers.
What New Yorkers read.
Making an appealing book debut, Beutter Cohen, a documentarian and creator of the Subway Book Review, gathers excerpts from more than 160 conversations she had while riding every subway line in New York City. The subway, she writes, is “the city’s beating heart that never stops.” When she noticed someone reading, she became an inquiring reporter, asking why they had chosen a particular book, eager to learn about them as a reader, and she also took photos of each person holding their book of choice. Themes of race, sexuality, the environment, food, power, history, art, music, home, love—and living in New York—emerged as widely diverse readers talked about an equally diverse selection of books. “I saw bestselling novels, experimental poetry collections, self-help books brimming with sticky notes, provocative memoirs, and well-loved classics,” Beutter Cohen observes. The books mostly fall into the category of serious literature, no matter what genre. Nancy Bass Wyden, owner of the Strand bookstore, was reading Roxane Gay’s Hunger. Beutter Cohen noticed Gay herself at the 23rd Street Station in Manhattan, reading Edith Wharton’s The Age of Innocence, which, Gay says, is a novel she has read at least seven times. Singer/songwriter Sophie Auster discussed Memories of the Future, by her mother, Siri Hustvedt. A reader who identifies as nonbinary chose Virginia Woolf’s Orlando. Some readers Beutter Cohen met are immigrants, and their choice of books reflected feelings of exile and loss. A young woman from Southern India, living alone because her husband was deported, found comfort in Vivian Gornick’s The Odd Woman and the City, which spoke to her own loneliness. Qween Jean, a self-described “Caribbean goddess,” read Yaa Gyasi’s Homegoing (“hella Black, hella feminine, and hella powerful”). Some readers were transplants from other parts of the country, as is Beutter Cohen. “A small town girl from Germany,” she lived on the West Coast before moving to New York in 2013. A list of the books mentioned is appended.
Delightful encounters with passionate readers.Pub Date: Oct. 26, 2021
ISBN: 978-1-982145-67-5
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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