Delightful encounters with passionate readers.
What New Yorkers read.
Making an appealing book debut, Beutter Cohen, a documentarian and creator of the Subway Book Review, gathers excerpts from more than 160 conversations she had while riding every subway line in New York City. The subway, she writes, is “the city’s beating heart that never stops.” When she noticed someone reading, she became an inquiring reporter, asking why they had chosen a particular book, eager to learn about them as a reader, and she also took photos of each person holding their book of choice. Themes of race, sexuality, the environment, food, power, history, art, music, home, love—and living in New York—emerged as widely diverse readers talked about an equally diverse selection of books. “I saw bestselling novels, experimental poetry collections, self-help books brimming with sticky notes, provocative memoirs, and well-loved classics,” Beutter Cohen observes. The books mostly fall into the category of serious literature, no matter what genre. Nancy Bass Wyden, owner of the Strand bookstore, was reading Roxane Gay’s Hunger. Beutter Cohen noticed Gay herself at the 23rd Street Station in Manhattan, reading Edith Wharton’s The Age of Innocence, which, Gay says, is a novel she has read at least seven times. Singer/songwriter Sophie Auster discussed Memories of the Future, by her mother, Siri Hustvedt. A reader who identifies as nonbinary chose Virginia Woolf’s Orlando. Some readers Beutter Cohen met are immigrants, and their choice of books reflected feelings of exile and loss. A young woman from Southern India, living alone because her husband was deported, found comfort in Vivian Gornick’s The Odd Woman and the City, which spoke to her own loneliness. Qween Jean, a self-described “Caribbean goddess,” read Yaa Gyasi’s Homegoing (“hella Black, hella feminine, and hella powerful”). Some readers were transplants from other parts of the country, as is Beutter Cohen. “A small town girl from Germany,” she lived on the West Coast before moving to New York in 2013. A list of the books mentioned is appended.
Delightful encounters with passionate readers.Pub Date: Oct. 26, 2021
ISBN: 978-1-982145-67-5
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A top-flight nonfiction debut from a unique artist.
The acclaimed director displays his talents as a film critic.
Tarantino’s collection of essays about the important movies of his formative years is packed with everything needed for a powerful review: facts about the work, context about the creative decisions, and whether or not it was successful. The Oscar-winning director of classic films like Pulp Fiction and Reservoir Dogs offers plenty of attitude with his thoughts on movies ranging from Animal House to Bullitt to The Texas Chainsaw Massacre to The Big Chill. Whether you agree with his assessments or not, he provides the original reporting and insights only a veteran director would notice, and his engaging style makes it impossible to leave an essay without learning something. The concepts he smashes together in two sentences about Taxi Driver would take a semester of film theory class to unpack. Taxi Driver isn’t a “paraphrased remake” of The Searchers like Bogdanovich’s What’s Up, Doc? is a paraphrased remake of Hawks’ Bringing Up Baby or De Palma’s Dressed To Kill is a paraphrased remake of Hitchcock’s Psycho. But it’s about as close as you can get to a paraphrased remake without actually being one. Robert De Niro’s taxi driving protagonist Travis Bickle is John Wayne’s Ethan Edwards. Like any good critic, Tarantino reveals bits of himself as he discusses the films that are important to him, recalling where he was when he first saw them and what the crowd was like. Perhaps not surprisingly, the author was raised by movie-loving parents who took him along to watch whatever they were watching, even if it included violent or sexual imagery. At the age of 8, he had seen the very adult MASH three times. Suddenly the dark humor of Kill Bill makes much more sense. With this collection, Tarantino offers well-researched love letters to his favorite movies of one of Hollywood’s most ambitious eras.
A top-flight nonfiction debut from a unique artist.Pub Date: Nov. 1, 2022
ISBN: 978-0-06-311258-2
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 31, 2022
Kirkus Reviews Issue: Dec. 1, 2022
SEEN & HEARD
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