by Umberto Eco ; translated by Alastair McEwen ‧ RELEASE DATE: Oct. 22, 2019
A rigorous exploration for able academics.
Like a collection of TED talks on philosophy and literary history, these 12 dazzling texts explore grand themes of intellectual curiosity such as beauty, secrecy, the invisible, and the sacred.
Each essay was originally presented as a lecture at the Milanesiana Festival in Milan, where Eco (Chronicles of a Liquid Society, 2017, etc.) spoke yearly from 2001 to 2015. They represent “a rough and ready semiotics,” but they maintain a sense of familiarity and oral tradition that aligns the book with works like Plato’s Symposium and other ancient philosophical texts. Eco explores big ideas, some of which were prompted by the festival’s organizers, and with a staggering bibliography of sources, he playfully meanders from the writings of Thomas Aquinas to Alexandre Dumas to Dan Brown. In a 2004 lecture on the sublime, he explores the medieval understanding of beauty in terms of proportion, luminosity, and integrity, all while invoking the golden ratio and the splendor of Caspar David Friedrich’s paintings. The following year, Eco delivered a lecture on ugliness that drew on The Tempest’s Caliban, Cyrano de Bergerac, and even a bevy of grotesque Bond villains from Ian Fleming’s novels. It’s a thrill to connect ideas between lectures: Eco’s thoughts on ugliness, beauty, and kitsch return in a 2012 talk on imperfections in art and literature, where he explains, “what we look for in a work of art (at least these days) is not a correspondence to a canon of taste, but to an internal norm, where economy and formal consistency regulate the text in all its parts.” In other words, context is key. But how to contextualize this book, with its heightened erudition and limited accessibility? With philosophical citations that span pages at a time and Eco’s penchant for using the original Latin whenever he can, this book’s “internal norm” is situated in the college-level classroom or the special collections wing of a university library.
A rigorous exploration for able academics.Pub Date: Oct. 22, 2019
ISBN: 978-0-674-24089-6
Page Count: 288
Publisher: Belknap/Harvard Univ.
Review Posted Online: Aug. 6, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Umberto Eco ; translated by Richard Dixon
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by C.S. Lewis ‧ RELEASE DATE: July 27, 1960
The ever-popular and highly readable C.S. Lewis has "done it again." This time with a book beginning with the premise "God is Love" and analyzing the four loves man knows well, but often understands little, Affection, Friendship, Eros and Charity, exploring along the way the threads of Need-Love and Gift-Love that run through all. It is written with a deep perception of human beings and a background of excellent scholarship. Lewis proposes that all loves are a search for, perhaps a conflict with, and sometimes a denial of, love of God. "Man approaches God most nearly when he is in one sense least like God. For what can be more unlike than fullness and need, sovereignty and humility, righteousness and penitence, limitless power and a cry for help?" To relate the human activities called loves to the Love which is God, Lewis cites three graces as parts of Charity: Divine Gift-Love, a supernatural Need-love of Himself and a supernatural Need-love of one another, to which God gives a third, "He can awake in man, towards Himself a supernatural Appreciative love. This of all gifts is the most to be desired. Here, not in our natural loves, nor even in ethics, lies the true center of all human and angelic life. With this all things are possible." From a reading of this book laymen and clergy alike will reap great rewards: a deeper knowledge of an insight into human loves, and, indeed, humans, offered with beauty and humor and a soaring description of man's search for God through Love.
Pub Date: July 27, 1960
ISBN: 0156329301
Page Count: 144
Publisher: Harcourt, Brace
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: July 1, 1960
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by Elaine Pagels ‧ RELEASE DATE: Nov. 26, 1979
A fine thematic introduction to gnosticism, concentrating on the texts discovered at Nag Hammadi (Upper Egypt) in 1945. Pagels teaches the history of religion at Barnard, and she has spent practically all of her young academic life working with the Nag Hammadi manuscripts in one way or another. She brings her considerable competence to bear on the subject without overwhelming the reader with scholarly minutiae. Pagels sees in gnosticism a "powerful alternative to. . . orthodox Christian tradition," an alternative she clearly finds attractive. Gnostics treated Christ's resurrection as a symbolic rather than a corporeal event. They rejected the authoritarian, bishop-dominated structure of the orthodox church. They looked beyond the masculine imagery of the patriarchal God to various concepts of a feminine or bisexual divinity. They avoided the excesses of the martyrdom cult and its apotheosis of the suffering Jesus. In surprisingly modern fashion, they cultivated a religion that stressed personal enlightenment over corporate belonging, insisting that "the psyche bears within itself the potential for liberation or destruction." These and other gnostic tenets were repressed by mainstream Christianity because, Pagels claims, they constituted a political threat to the hierarchy. In the calmer, freer atmosphere of contemporary Christianity, they can better be appreciated for their intrinsic richness. Pagels' advocacy of gnosticism is restrained and responsible—she admits, for example, that its elitist, intellectualist qualities made it ill-suited as a faith for the masses—but this partisanship, plus the absence of solid explanation of the movement's historical roots, may create a misleading picture of it as a sort of heroic prototype of liberal Protestantism. Otherwise a clear, reliable, richly documented guide.
Pub Date: Nov. 26, 1979
ISBN: 0394502787
Page Count: 229
Publisher: Random House
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Nov. 1, 1979
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