An energetic mashup of thriller tropes that doesn’t quite jell.

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THE PLOTTERS

An assassin in Seoul’s underworld is embroiled in a rivalry between the mysterious men who literally call the shots.

Reseng, the hero of the first novel by Kim to appear in English, is a coldblooded killer whose lone-wolf persona seems stitched out of equal parts Jack Reacher and Harry Bosch. An orphan, he was raised for most of his life by Old Raccoon, a shady fixer who lives in a massive but neglected library while plotting murders. Reseng has been the don’t-ask-questions type until he learns that a colleague didn’t follow through on killing a prostitute like he was supposed to. And when that colleague is found dead, he’s moved to start investigating the “plotters” who make his world move. The answer to Reseng’s inquiries aren’t particularly engaging or surprising: Corporations and government leaders in South Korea plan killings to preserve power, amassing a small army of “washed-up assassins, gangsters, retired servicemen and former homicide detectives, tired of working for peanuts.” And of course, Reseng is a target himself, via a bomb installed in his toilet. The novel is somewhat redeemed from its stock plotting in its more visceral moments: There’s a lively gallows humor to scenes where Reseng pays regular visits to the man who cremates gang-war victims, and he casually slices off one man’s fingers as coolly as you might make a salad. Kim makes a few gestures toward literary gravitas, like a flashback to a woman in Reseng’s more innocent past and some riffing about the source of human violence. (“A handful of villains isn’t enough to affect the world. The world is like this because we’re too meek.” ) But between the convoluted plotting and myriad stylistic intentions, Kim hasn’t identified a clear target to hit.

An energetic mashup of thriller tropes that doesn’t quite jell.

Pub Date: Jan. 29, 2019

ISBN: 978-0-385-54438-2

Page Count: 304

Publisher: Doubleday

Review Posted Online: Sept. 18, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

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SHAKESPEARE FOR SQUIRRELS

Manic parodist Moore, fresh off a season in 1947 San Francisco (Noir, 2018), returns with a rare gift for Shakespeare fans who think A Midsummer Night’s Dream would be perfect if only it were a little more madcap.

Cast adrift by pirates together with his apprentice, halfwit giant Drool, and Jeff, his barely less intelligent monkey, Pocket of Dog Snogging upon Ouze, jester to the late King Lear, washes ashore in Shakespeare’s Athens, where Cobweb, a squirrel by day and fairy by night, takes him under her wing and other parts. Soon after he encounters Robin Goodfellow (the Puck), jester to shadow king Oberon, and Nick Bottom and the other clueless mechanicals rehearsing Pyramus and Thisby in a nearby forest before they present it in celebration of the wedding of Theseus, Duke of Athens, to Hippolyta, the captive Amazon queen who’s captured his heart, Pocket (The Serpent of Venice, 2014, etc.) finds Robin fatally shot by an arrow. Suspected briefly of the murder himself, he’s commissioned, first by Hippolyta, then by the unwitting Theseus, to identify the Puck’s killer. Oh, and Egeus, the Duke’s steward, wants him to find and execute Lysander, who’s run off with Egeus’ daughter, Hermia, instead of marrying Helena, who’s in love with Demetrius. As English majors can attest, a remarkable amount of this madness can already be found in Shakespeare’s play. Moore’s contribution is to amp up the couplings, bawdy language, violence, and metatextual analogies between the royals, the fairies, the mechanicals, his own interloping hero, and any number of other plays by the Bard.

A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

Pub Date: May 12, 2020

ISBN: 978-0-06-243402-9

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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