A fresh alternative to dustier collections, well-tuned for reading aloud.
Nine old tales retold, featuring courage and cleverness, giants and wee folk, rash actions and romance.
Gathered from, mostly, public-domain sources and fluently recast with occasional modern inflections (“Meanwhile, back at the court, King Gwrtheyrn was depressed”), the stories largely skip past explicit gore or violence to play up family and domestic values. Thus “Conor the Brave” takes on several (rather easily defeated) giants to keep his widowed mother in firewood; Hamish (euphemistically dubbed a “seal catcher”) takes up trade in sealskins to help his impoverished Scottish clan—and sincerely repents after discovering that selkies are real; and a Cornish couple is rewarded with a human child for looking lovingly after a changeling for 10 years. In a “Rumpelstiltskin” variant from the Isle of Man that puts at least a mild spin on convention, slacker housewife Blaanid mends her ways after her own procrastination forces her into a deal with a scary giant in order to get her hardworking husband a coat. In O’Connor’s brushy watercolors, red-haired or blond young white folk in ragged country clothing intrepidly face portly giants or pointy-eared fairies in rugged wind-swept landscapes. American tongues will wish in vain for a pronunciation guide to the Welsh and Gaelic names, but in her endnotes, Leavy does supply both context and sources for each story.
A fresh alternative to dustier collections, well-tuned for reading aloud. (Folk tales. 7-11)Pub Date: May 10, 2017
ISBN: 978-1-84717-546-5
Page Count: 96
Publisher: Dufour
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
BOOK REVIEW
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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