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QUASAR

A collection that includes a baffling fantasia that mixes sexuality, dinosaurs, and a quasar.

A debut volume delivers a trio of irreverent short stories.

A small bar on Jefferson Avenue in New Orleans is the focal point of the main story in Uncle Mike’s collection of three sketches. At this bar, the longtime patrons spend their time swapping tales, ogling lovely barmaid Valerie, joking with drag queens, and speculating on the nature of the universe. Two such regulars, Al Token and Henry Schmitt, decide to attempt to confirm with experiments (conducted on rats they catch at the dump) a theory that sound waves from a quasar are responsible for “turning” so many of the bar’s new clients gay (at one point, a habitué asks, “It looks like this bar is becoming a gay bar. Why are there so many gay people these days?”). That sound doesn’t travel through space is never mentioned as an impediment to the theory. Al and Henry and their fellow customers theorize that this quasar may have made all the dinosaurs gay before they became extinct, and they don’t exempt one another from doubts —characters are suspected of being gay if they have flower gardens, for instance, and they’re flat-out assumed to be homosexual if they have the latest smartphones. The collection’s other tales, “To Be or Not To Be” and “Pilgrim’s Day,” are lighthearted trifles, but the title story is an odious piece. The author prefaces it with a warning: “If you are not gay and want to stay that way, read this book today”—leaving few doubts about his two main implications: that there’s something very wrong with being gay, and that this is a work intended for readers who share that belief. The first is of course untrue (a thing that shouldn’t need restating in 2017) and the second warrants serious reflection—who would find this schoolboy mockery even comprehensible (flower gardens?), much less amusing.

A collection that includes a baffling fantasia that mixes sexuality, dinosaurs, and a quasar.

Pub Date: Dec. 9, 2016

ISBN: 978-1-63524-355-0

Page Count: -

Publisher: LitFire Publishing

Review Posted Online: June 28, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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