Rothbart has admirable wit, but his sensitive-wiseacre persona gets repetitive.
A collection of personal essays by a man with a knack for stumbling into alcohol- and lust-fueled predicaments.
Rothbart (The Lone Surfer of Montana, Kansas, 2005) is the creator of the fanzine Found Magazine, which features the provocative and poignant notes people leave in coffee shops and on sidewalks. On the evidence of these pieces, his life is similarly haphazard. In “Shade,” his pining for a woman who resembles a beloved movie character leads him to a long-distance relationship and a disastrous road trip. In “Tarantula,” a one-night stand ends with him in a swimming pool with a dead body. And in “What Are You Wearing?” a random caller becomes a regular phone-sex partner. In small doses, Rothbart’s say-yes-to-anything attitude and self-deprecating tone is entertaining and engaging. The best piece, “99 Bottles of Pee on the Wall,” tracks his obsession with a scam artist who runs a series of fraudulent literary contests; the slow burn of his outrage—and growing crush on a female author who got taken—is smartly paced, and he’s candid about his quixotic pursuit. But taken together, there’s an overall pattern to his responses that gives these essays an off-putting, manipulative aspect. Rothbart’s proclaimed modesty actually comes packaged in loads of hyperbole—every girl he falls for is the most beautiful girl in the room, every night was the most amazing night ever, every dumb drunken thing was the dumbest, most drunken thing he could have done. Such posturing makes the poignant tone of “New York, New York,” about a bus trip he took right after 9/11, feel engineered for emotional effect. And it makes a more serious work of reportage about a man he claims was wrongly convicted for murder less convincing than it should be.
Rothbart has admirable wit, but his sensitive-wiseacre persona gets repetitive.Pub Date: Sept. 4, 2012
ISBN: 978-0-374-28084-0
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 30, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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