by Ursula K. Le Guin ‧ RELEASE DATE: Oct. 26, 1979
The fictional evocation of any milieu should bear a certain responsibility to the question—"What would it be like to live there?"—and no one has a clearer sense of this responsibility than the science-fiction writer Ursula Le Guin; and no one pursues it in more unexpected directions. Malafrena asks something that cannot have occurred to very many of us: what it might have been like to live in a small, quiet principality of the Habsburg Empire during the great 19th-century upwellings of liberalism and nationalism. The country in question is the imaginary "Orsinia," whose history and geography Le Guin has been sketching to herself for a good many years. (See the short-story collection Orsinian Tales, 1976). Her hero in this case is Itale Sorde, an ardent young patriot whose libertarian passions take him from his home in idyllic Val Malafrena to the quiet university city of Solariy, Krasnoy the Orsinian capital, and finally—just before the uprisings of 1830—prison in the wretched factory town of Rakava. His cause and the moral claims of change or continuity are variously perceived by his circle of political writers, the beautiful Krasnoy aristocrat with whom he falls in love, and the rural landowning families of Malafrena. Le Guin brings to their grapplings with large and small bewilderments the qualities that she brings to any story: patience, lucidity, and the capacity to invest the ordinary pleasures of existence with a sort of luminous romanticism. True, what should be real moral exaltation here is sometimes merely facilely achieved sweetness-and-light. But notwithstanding an occasional mistiness around the edges, Malafrena is Le Guin's masterpiece to date—a provocative adventure firmly founded on an unmodish and undeviating nobility of style, of mind, and above all of responsible imagination.
Pub Date: Oct. 26, 1979
ISBN: 0425084779
Page Count: 356
Publisher: Putnam
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: Oct. 1, 1979
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by Ursula K. Le Guin ; adapted by Fred Fordham ; illustrated by Fred Fordham
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by Ursula K. Le Guin with David Naimon
BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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