Thoughtful musings from a deft and sharply insightful writer.

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NO TIME TO SPARE

THINKING ABOUT WHAT MATTERS

Spirited, wry reflections on aging, literature, and America’s moral life.

Inspired by blogs that José Saramago wrote when he was in his 80s, the prolific, multiple award-winning Le Guin (Words Are My Matter: Writing About Life and Books, 2000-2015, with a Journal of a Writer’s Week, 2016, etc.) became a blogger herself. In an entertaining collection of more than 40 posts written from 2010 to 2015, she offers opinions on a wide range of topics: politics, age and youth, confounding questions from readers, creativity, public and private expressions of anger, a splendid opera by Philip Glass, the serene ritual of breakfast in Vienna, and, most charmingly, her cat. The collection begins with the author’s mystification over a questionnaire from Harvard, on the occasion of the 60th reunion of the graduating class of 1951. One question “really got me down,” she confesses: “In your spare time, what do you do?” There followed a list of 27 occupations, beginning with “Golf.” If spare time is the opposite of occupied time, Le Guin maintains that all of her time is “occupied by living.” And at the age of 81, when the piece was posted, she observed, “I have no time to spare.” She is at her most acerbic when writing about politics: in 2012 she learned that in 1947, President Truman asked the nation to give up meat on Tuesdays and poultry on Thursdays so that grain could be sent to starving Europeans. Such a request would be laughable today, she reflects sadly: “When did it become impossible for our government to ask its citizens to refrain from short-term gratification in order to serve a greater good?” Even in 2012 she felt in exile: “I used to live in a country that had a future.” Le Guin is at her most tender in posts about her cat, “a vivid little creature…utterly sweet and utterly nutty.”

Thoughtful musings from a deft and sharply insightful writer.

Pub Date: Dec. 5, 2017

ISBN: 978-1-328-66159-3

Page Count: 240

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Aug. 29, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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