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PLANET OF EXILE

This appealing short novel or longish novella, originally published some eleven years ago, is a perfect illustration of Le Guin's concern with the influences that shape a culture or ethos. On a world whose complicated orbit takes it around Gamma Draconis once every 65 Earth years, a local hominid tribe exists in wary truce with a colony of Terrans stranded many ages ago. As the planet's terrible sixteen-year winter approaches, a threatened invasion from the north forces them into a shaky alliance. To the Terrans, the aborigines are only half-savage "hilfs" (higher-intelligent life-forms). To the Tevar community, the aliens with their strange machines, telepathic powers, and ignorance of social ritual are not "human." Both communities are shocked to discover a love affair between a young Terran and a daughter of the Tevar chief. The story itself is negligible; what interests Le Guin is the confrontation of two societies formed by different processes of adaptation or maladaptation. Graceful, thoughtful, unassuming.

Pub Date: Feb. 15, 1977

ISBN: 0441669573

Page Count: 135

Publisher: Harper & Row

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Feb. 1, 1977

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THE MARTIAN

Sharp, funny and thrilling, with just the right amount of geekery.

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When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.

One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.  

Sharp, funny and thrilling, with just the right amount of geekery.

Pub Date: Feb. 11, 2014

ISBN: 978-0-8041-3902-1

Page Count: 368

Publisher: Crown

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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ARTEMIS

One small step, no giant leaps.

Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.

Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”

One small step, no giant leaps.

Pub Date: Nov. 14, 2017

ISBN: 978-0-553-44812-2

Page Count: 320

Publisher: Crown

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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