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THE BEGINNING PLACE

This short novel, which could probably be read with equal pleasure by any intelligent person between the ages of 14 and 90, is a paradox of sorts: a fantasy about the limitations of fantasy. The protagonists are two young people at emotional dead ends, separately trapped in intolerable family situations which have driven Hugh to overweight and dumb loneliness, Irene to cynical hostility. At the extremity of despair, Hugh stumbles on the nameless twilit country and simple town that have been Irene's secret refuge for years. With his coming, the serene changelessness of this haven gives way to a fear which the people of the land cannot or will not explain. Hugh and Irene, allowing themselves to be packed off by their kindly hosts on a mission of deliverance, find that they themselves have been delivered up to a monster as the latest in a series of ignominious sacrifices. Their victory at last restores them to the light of common humanity in their own world. In a mode light-years away from the recent Malafrena (p. 951) or most of her previous fantasy or science fiction, Le Guin achieves miracles of tact and lucidity; the allegorical implications of the story are touched on with an understated sweetness that can only be described as masterly. An impeccable parable—and some of the best work ever by a humane, high-minded, underappreciated novelist.

Pub Date: Feb. 6, 1979

ISBN: 0765346257

Page Count: 244

Publisher: Harper & Row

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Feb. 1, 1979

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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