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THE BEGINNING PLACE

This short novel, which could probably be read with equal pleasure by any intelligent person between the ages of 14 and 90, is a paradox of sorts: a fantasy about the limitations of fantasy. The protagonists are two young people at emotional dead ends, separately trapped in intolerable family situations which have driven Hugh to overweight and dumb loneliness, Irene to cynical hostility. At the extremity of despair, Hugh stumbles on the nameless twilit country and simple town that have been Irene's secret refuge for years. With his coming, the serene changelessness of this haven gives way to a fear which the people of the land cannot or will not explain. Hugh and Irene, allowing themselves to be packed off by their kindly hosts on a mission of deliverance, find that they themselves have been delivered up to a monster as the latest in a series of ignominious sacrifices. Their victory at last restores them to the light of common humanity in their own world. In a mode light-years away from the recent Malafrena (p. 951) or most of her previous fantasy or science fiction, Le Guin achieves miracles of tact and lucidity; the allegorical implications of the story are touched on with an understated sweetness that can only be described as masterly. An impeccable parable—and some of the best work ever by a humane, high-minded, underappreciated novelist.

Pub Date: Feb. 6, 1979

ISBN: 0765346257

Page Count: 244

Publisher: Harper & Row

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Feb. 1, 1979

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VERITY VOX AND THE CURSE OF FOXFIRE

From the Verity Vox series , Vol. 1

A sweet if muddled tale of the magic of Appalachia.

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A teenage witch goes up against the evil king of the mountain to save a cursed village.

Witch-in-training Verity Vox has spent a year apiece in different villages, helping in any way she can as she learns her art. When it’s time to move on, she receives a sign that shows her where to go next. When the latest sign appears in the form of a note begging for help that floats down on a leaf, she’s eager for the challenge. Verity winds up in Foxfire, a village in the Appalachian mountains that’s been magically cut off from the rest of the world for years, leaving its people close to starvation. The root of their suffering is a man they know as Earl, who lives in the hills and strikes deals with the townspeople that ultimately cause crops to wither, folks to disappear, and the only bridge out of the valley to crumble. Verity is determined to change the villagers’ fortunes, but to do so she’ll have to face off against not just Earl but the ancient power of the mountains itself. Loosely based on the Germanic Erlking legend and told in a voice reminiscent of folktales, the story features a queer romance and a cast that presents white. The convoluted magic system undercuts the strong themes of reciprocity, poverty, and privilege, but Appalachian readers will instantly recognize home.

A sweet if muddled tale of the magic of Appalachia. (Fantasy. 13-18)

Pub Date: Aug. 5, 2025

ISBN: 9798890032706

Page Count: 336

Publisher: Page Street

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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