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THE BEGINNING PLACE

This short novel, which could probably be read with equal pleasure by any intelligent person between the ages of 14 and 90, is a paradox of sorts: a fantasy about the limitations of fantasy. The protagonists are two young people at emotional dead ends, separately trapped in intolerable family situations which have driven Hugh to overweight and dumb loneliness, Irene to cynical hostility. At the extremity of despair, Hugh stumbles on the nameless twilit country and simple town that have been Irene's secret refuge for years. With his coming, the serene changelessness of this haven gives way to a fear which the people of the land cannot or will not explain. Hugh and Irene, allowing themselves to be packed off by their kindly hosts on a mission of deliverance, find that they themselves have been delivered up to a monster as the latest in a series of ignominious sacrifices. Their victory at last restores them to the light of common humanity in their own world. In a mode light-years away from the recent Malafrena (p. 951) or most of her previous fantasy or science fiction, Le Guin achieves miracles of tact and lucidity; the allegorical implications of the story are touched on with an understated sweetness that can only be described as masterly. An impeccable parable—and some of the best work ever by a humane, high-minded, underappreciated novelist.

Pub Date: Feb. 6, 1979

ISBN: 0765346257

Page Count: 244

Publisher: Harper & Row

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Feb. 1, 1979

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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