Memorable and incisive, this debut grapples elegantly with the complexity of betrayal.
A woman recalls her friendship with a man caught in the grip of the #MeToo movement.
In Santiago in 2015, Tatum Vega lives with her girlfriend, settled into her life as a museum employee far from her working-class roots in San Antonio, Texas. She’s contacted by a journalist from the New York Times who wants to know about her relationship with the writer M. Dominguez, who has been accused of sexual improprieties. Initially reluctant to discuss her friendship with M., whom she knows as Mateo, and cautioning the journalist that she was never sexually mistreated by him, Tatum finally agrees to a series of conversations; eventually, this onslaught of memories causes her to chronicle her time with M. Addressing Mateo in the second person, Tatum recounts her past as a transplanted Tejana at Williams College in Massachusetts, a place she picked so she could be close to the history of literary heroes like Sylvia Plath. Her desire to exist merely as a “pulsating mind” leaves her lonely and largely friendless; her status as Latina in the white-dominated worlds of the arts and humanities leads her to reach out to the Latino author of the short story collection Happiness, her favorite book. The fan letter she writes kickstarts a decade of a (mostly) platonic relationship in which Tatum and Mateo endure failed romances, Mateo struggles to write a novel, and Tatum gradually comes to understand her sexuality. As the chronicle barrels toward the moment when the relationship implodes, Tatum realizes there are many different kinds of violation. Though Villarreal-Moura’s writing style is a bit buttoned-up, her emotionally astute novel offers a moving perspective on the different kinds of victims abusers leave in their wake.
Memorable and incisive, this debut grapples elegantly with the complexity of betrayal.Pub Date: March 26, 2024
ISBN: 9781250882837
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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