by V. Ann Russell ‧ RELEASE DATE: N/A
A well-plotted adventure of a modern woman in the pre-Civil War South.
Debut author Russell presents a work of time-travel historical fiction novel set in the antebellum South.
The reader first meets 20-something Mercy Maddox (née Birmingham) at the Savannah/Hilton Head International Airport in Georgia in 2019. Mercy once lived in a trailer park with her down-and-out family until her father arranged, two years ago, for her to marry Blake Maddox, a wealthy financier with political ambitions. He’s also a racist with ties to the Ku Klux Klan, and he has a burning desire for a male heir. Mercy is in a bad state, and at the airport she purposely gets into a car that was meant for someone else. Perhaps, she thinks, this decision will take her to freedom. However, the driver—who turns out to be a hired killer—attempts to rape and murder Mercy, whom he thinks is someone else; she escapes into a nearby river, from which a stranger rescues her. Soon, however, she finds that the year is 1838, and she’s recovering at the sprawling Butler Plantation in Georgia, owned by enslaver Pierce Butler and his wife, a former stage performer named Fanny Kemble Butler. Mercy, who’s white, assumes the role of Colleen O’Brien, who went missing years before; she’s hired as a governess for the Butler children. The enslavement of Black people at the plantation consumes Mercy’s thoughts; she later falls in love with an enslaved man named Jayda. Later, she’s sent with Pierce and others on an expedition north; it turns out that he’s pursuing a moneymaking scheme that involves sending free men in the north into slavery.
As soon as Mercy’s initial car trip from the airport goes awry, readers will find themselves intrigued by several key questions: Who was the driver actually hired to kill? How was Mercy transported back to the 19th century? And, most importantly, what will Mercy do when confronted with the evils of slavery? All these issues will keep readers turning pages. And along the way, the novel investigates several details of the past that one might not expect. For instance, Mercy finds aspects of women’s clothing of the time to be baffling, right down to underclothes that provide surprisingly little coverage. The text also includes real-life voices of the past, such as Fanny Kemble Butler, an actual actor who wrote a journal. An excerpt from a letter in which Fanny describes her disgust with “a most hideous and detestable species of reptile”—a centipede that fills her “very heart with dismay”—is as humorous as it is illuminating. Many imagined conversations, on the other hand, feel a bit bland, but the strange nature of the protagonist’s situation keeps things interesting throughout; after all, if Mercy was so easily sent back in time, readers will feel that she could be returned to the present at any moment. The excitement comes in seeing how all the story threads will tie together—assuming that Mercy can make it through her mysterious time warp unscathed.
A well-plotted adventure of a modern woman in the pre-Civil War South.Pub Date: N/A
ISBN: N/A
Page Count: 493
Publisher: manuscript
Review Posted Online: Sept. 8, 2023
Review Program: Kirkus Indie
Share your opinion of this book
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Awards & Accolades
Likes
239
Our Verdict
GET IT
New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Share your opinion of this book
More by Kathryn Stockett
BOOK REVIEW
More About This Book
by James Patterson & David Ellis ‧ RELEASE DATE: Sept. 21, 2026
A novel that’s lacking both as fiction and history.
The latest Patterson co-write dramatizes unproven rumors that Adolf Hitler shot and killed his 23-year-old half niece, Geli Raubal, in Munich in 1931 in a fit of jealousy.
As with other young women in his past, Hitler essentially kept Raubal captive and forced her to participate in perverse sexual rituals with him. The murder occurs after she tells him she’s leaving Munich for Vienna to be with a man she intends to marry. (Fictional) police detective Thomas Bauer, a war hero whose wife and children are Jewish, risks his life over and over to nail Hitler for the crime (which is ruled a suicide) as the fascist state evolves and concentration camp horrors unfold. Periodically, the action shifts to the present, when in brief superfluous scenes an American professor, Eleanor Robbins, is mysteriously targeted for her efforts to obtain films of Hitler’s final moments with Raubal. The portrayal of Hitler is so caricatured that he casts a thin shadow here—as do the evil trio of Goebbels, Himmler, and Göring—depriving the story of urgency. The authors are more comfortable offsetting sobering, dutifully rolled out facts about Hitler’s rise and fall with breezy entertainment. Bauer, a master of the wisecrack, teams up with a young former intelligence officer in buddy-movie fashion. In one of this overlong novel’s best scenes, Raubal—the subject of much better novels, including Ron Hansen’s Hitler’s Niece (1999)—goes to a nightclub with Hitler; once there, he nudges her into showing off her vocal skills, only to have her ruffle his insecurities by stealing attention. In the end, Robbins pronounces, “Everything that happened…could have been prevented, if honest people had been allowed to simply do their jobs.” Fat chance of that.
A novel that’s lacking both as fiction and history.Pub Date: Sept. 21, 2026
ISBN: 9780316404099
Page Count: 528
Publisher: Little, Brown
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
Share your opinion of this book
More by James Patterson
BOOK REVIEW
by MrBeast & James Patterson
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.