Could use more wonder but otherwise an impressively conceived story with true weight.
A lesbian couple accidentally creates an extremely unique app in Davy’s (A Very Civil Wedding, 2014, etc.) darkly satirical sci-fi novel.
While attempting to effectively create their own Internet in order to privately upload and share their research with each other via a satellite they dub “Big Sister,” Dr. Brogan Miller, a biophysicist, and her wife, Dr. Honor Smith, a women’s history lecturer, stumble upon a strange phenomenon. Somehow, their computer cameras are allowing them to see into the past based on any date they input. Furthermore, only deceased women show up on the video feeds, often seeming to respond to men who can’t be seen or heard. If someone were to try to watch a moment involving a still-living woman, she wouldn’t show up. Eventually, they strike upon the idea to turn it into an app that Honor names “The Hystery App,” which they believe will forever change how history is understood now that the patriarchal filter is gone. Their best-laid plans go awry, however, when men start to use it for pornography, voyeuristically watching often long-dead women in sexual situations. Davy’s imaginative, incisive story is a prime example of how sci-fi as a genre can be used to explore complex societal issues. The focus isn’t on how this app ever managed to work—besides some briefly explored wormhole theory— because the effects are more important. The novel wisely begins by delving into the endless positive potential for its time-travel device and then shows the numerous ways it could be perverted, human (and specifically male) nature being what it is. Davy also imbues the main characters with full, three-dimensional life, making it a novel about these specific women, not just ideas. Unfortunately, the novel spends too much time mired in family drama that, while realistically crafted, feels too mundane for a concept with such intriguing possibilities. While many works of sci-fi focus on their concepts to the detriment of their humanity, this novel does nearly the opposite.
Could use more wonder but otherwise an impressively conceived story with true weight.Pub Date: Feb. 18, 2015
ISBN: 978-0957408869
Page Count: 290
Publisher: Liberation Publishing
Review Posted Online: March 9, 2015
Kirkus Reviews Issue: April 15, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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