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TRACK OF THE SCORPION

Gorgeous archaeologist in formula thriller peril—thanks to the discovery of a WW II bomber, buried for 50 years in the sands of New Mexico, and the unraveling of a heinous military-industrial conspiracy. Prof. Nickolette (``Nick'') Scott—Berkeley, untenured—is spending the summer in the brutally hot Badlands, helping her famous father excavate ancient Indian ruins. But Nick's own passion is digging up the recent past—so she can't resist the challenge when old prospector Gus Beckstead claims that he's uncovered the wing of an airplane. It's an incredible find: an American B-17, with 11 dead bodies aboard (the ten-man crew plus one mystery passenger), which was somehow shot down over the US circa 1945! Before Nick can begin the dig in earnest, however, the novel's cartoonish mega-villain—billionaire Leland Hatch, who ``owns'' numerous generals—sets a massive, often implausible coverup in motion. Beckstead is murdered; the B-17 disappears virtually overnight; Nick's academic career is sabotaged. Unfazed, as additional bodies drop around her, she sets out on a quest (guided by a diary found on the plane) to learn the how and why of the B- 17's downing. These opening chapters are fairly promising—with intriguing details of archaeological procedure, persuasive desert- town atmosphere, and that buried plane with its mummified crew (the WW II secret itself—involving Los Alamos and a foiled bit for peace—is serviceable enough). But Nick doesn't hold much character interest, despite some psychological wrangling about her dysfunctional mom and workaholic dad, so it's quite a wait for the conclusion—a painfully contrived death-duel in the desert between intrepid Nick and old Leland Hatch himself. Despite all the appeals, first-novelist Davis brings little conviction, and no originality, to conspiracy-suspense gambits limply reminiscent of Days of the Condor, Pelican Brief, and everything in between.

Pub Date: Aug. 20, 1996

ISBN: 0-312-14437-7

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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