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TRACK OF THE SCORPION

Gorgeous archaeologist in formula thriller peril—thanks to the discovery of a WW II bomber, buried for 50 years in the sands of New Mexico, and the unraveling of a heinous military-industrial conspiracy. Prof. Nickolette (``Nick'') Scott—Berkeley, untenured—is spending the summer in the brutally hot Badlands, helping her famous father excavate ancient Indian ruins. But Nick's own passion is digging up the recent past—so she can't resist the challenge when old prospector Gus Beckstead claims that he's uncovered the wing of an airplane. It's an incredible find: an American B-17, with 11 dead bodies aboard (the ten-man crew plus one mystery passenger), which was somehow shot down over the US circa 1945! Before Nick can begin the dig in earnest, however, the novel's cartoonish mega-villain—billionaire Leland Hatch, who ``owns'' numerous generals—sets a massive, often implausible coverup in motion. Beckstead is murdered; the B-17 disappears virtually overnight; Nick's academic career is sabotaged. Unfazed, as additional bodies drop around her, she sets out on a quest (guided by a diary found on the plane) to learn the how and why of the B- 17's downing. These opening chapters are fairly promising—with intriguing details of archaeological procedure, persuasive desert- town atmosphere, and that buried plane with its mummified crew (the WW II secret itself—involving Los Alamos and a foiled bit for peace—is serviceable enough). But Nick doesn't hold much character interest, despite some psychological wrangling about her dysfunctional mom and workaholic dad, so it's quite a wait for the conclusion—a painfully contrived death-duel in the desert between intrepid Nick and old Leland Hatch himself. Despite all the appeals, first-novelist Davis brings little conviction, and no originality, to conspiracy-suspense gambits limply reminiscent of Days of the Condor, Pelican Brief, and everything in between.

Pub Date: Aug. 20, 1996

ISBN: 0-312-14437-7

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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