Gorgeous archaeologist in formula thriller peril—thanks to the discovery of a WW II bomber, buried for 50 years in the sands of New Mexico, and the unraveling of a heinous military-industrial conspiracy. Prof. Nickolette (``Nick'') Scott—Berkeley, untenured—is spending the summer in the brutally hot Badlands, helping her famous father excavate ancient Indian ruins. But Nick's own passion is digging up the recent past—so she can't resist the challenge when old prospector Gus Beckstead claims that he's uncovered the wing of an airplane. It's an incredible find: an American B-17, with 11 dead bodies aboard (the ten-man crew plus one mystery passenger), which was somehow shot down over the US circa 1945! Before Nick can begin the dig in earnest, however, the novel's cartoonish mega-villain—billionaire Leland Hatch, who ``owns'' numerous generals—sets a massive, often implausible coverup in motion. Beckstead is murdered; the B-17 disappears virtually overnight; Nick's academic career is sabotaged. Unfazed, as additional bodies drop around her, she sets out on a quest (guided by a diary found on the plane) to learn the how and why of the B- 17's downing. These opening chapters are fairly promising—with intriguing details of archaeological procedure, persuasive desert- town atmosphere, and that buried plane with its mummified crew (the WW II secret itself—involving Los Alamos and a foiled bit for peace—is serviceable enough). But Nick doesn't hold much character interest, despite some psychological wrangling about her dysfunctional mom and workaholic dad, so it's quite a wait for the conclusion—a painfully contrived death-duel in the desert between intrepid Nick and old Leland Hatch himself. Despite all the appeals, first-novelist Davis brings little conviction, and no originality, to conspiracy-suspense gambits limply reminiscent of Days of the Condor, Pelican Brief, and everything in between.

Pub Date: Aug. 20, 1996

ISBN: 0-312-14437-7

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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