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FOUR OF A KIND

Four women approaching middle age find insight and inspiration at the poker table, in Frankel’s breezy latest (It’s Hard Not to Hate You, 2010, etc.).

To form the new PTA diversity committee at her sons’ elite Brooklyn Heights private school, blond yummy-mummy Bess chooses three other mothers as different from herself as possible. There’s Carla, an African-American pediatrician who, with her manipulative husband Claude, is struggling to afford the high tuition that will keep their sons from slipping out of the middle class. Robin, who lives off her inheritance, was once obese. Slim post-stomach-staple, she’s looking on in horror as daughter Stephanie, conceived in a one-night stand with a suspected “chubby-chaser,” must wear a size 14 at age 10. Advertising copywriter Alicia, whose son Joe was born after a long struggle with infertility, is going through a sexual dry spell: Her husband Tim, a stay-at-home dad, seems to have lost all conjugal interest. The first meeting of these four takes an unexpected turn: Bess announces they will play Texas Hold ’Em, but, in deference to the bad economy, the stakes will be not money but secrets. She herself reveals the hidden flaws in her outwardly perfect life: Unlike Tim, Bess’ Wall Street insider husband Borden is oversexed. Her mother, Simone, a second-wave feminist icon, is trying to drive a wedge between Bess and teenage daughter Amy. As the poker nights progress, diversity in the politically correct sense is never discussed: instead the women find that their new connection is more and more crucial as each faces turning points, including Claude’s impending job loss, Alicia’s affair with a younger colleague, the unexpected reappearance of Robin’s chubby-chaser in her and Stephanie’s lives, Amy’s increasing slovenliness and declaration of lesbian leanings and Borden’s depression following his father’s death. Although the closing empowerment scenarios are a bit pat, the poker conceit is an artful framing device, and the four women and their dilemmas are portrayed with Frankel’s trademark witty empathy.

 

Pub Date: March 6, 2012

ISBN: 978-0-345-52540-6

Page Count: 352

Publisher: Random House

Review Posted Online: Feb. 4, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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