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MRS. GULLIVER

Irresistible—a funny, sexy romp that’s also smart, even wise.

In Martin’s cheerful new novel about sex and economics, the madam of an upscale bordello hires a blind 19-year-old as a prostitute, a decision that proves life-changing for both.

When the novel opens in 1954, narrator Lila, who identifies herself as the widow of a far-flung traveler named Gulliver (whom she’s actually met only in the pages of a comic book), has been running her business for 10 years in the main city of a tropical island, where it’s legal. Matter-of-fact Lila, who grew up in poverty and spent her late adolescence in a seedy brothel, prides herself on the respectability of her house and its clientele while diligently treating her employees fairly and with respect. A good-natured cynic, she sees herself and her girls as laborers of the service industry: “The orgasm is a powerful force in human society.” The arrival of Carità only makes that power more apparent. Educated in braille and brought up in comfort, Carità comes to Lila after the uncle who raised her loses his money and kills himself. No one, including the reader, can resist her charms—not just beauty and intelligence but also insightfulness and a pragmatic will that particularly impresses Lila. Neither a victim nor a saint, Carità glides through one crisis after another, the rare literary character always in flow. The central predicament is her inconvenient romance with a client, a rich college student who’s become mixed up with gangsters. Fearing that “rich boys can’t be trusted,” Lila tries to help Carità, only to end up in her own inappropriate relationship with the student’s father. There are lively discussions of Marx, Veblen, and conspicuous consumption. There are occasional stark episodes of bloodshed and madness. There is a lot of sex. And a lot of joy. Martin’s characters are not prim; neither is her book. As Lila explains, “The word ‘Carnal’ is so much more thrilling than ‘spiritual.’ ”

Irresistible—a funny, sexy romp that’s also smart, even wise.

Pub Date: Feb. 20, 2024

ISBN: 9780385549950

Page Count: 304

Publisher: Doubleday

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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WRECK

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

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A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).

Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

Pub Date: Oct. 28, 2025

ISBN: 9780063453913

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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