A diverting introduction to an inventive fantasy saga.
In this fantasy series opener, characters in a vast empire face such threats as warmongers and otherworldly creatures.
The Heli Empire, it seems, is “always at war.” So when the Renali Kingdom, a bitter enemy, suggests peace, some anticipate resistance to a treaty. A summit brings diplomats to Renali, including scribe and priest-in-training Marco dei Toriam and his mentor, Father Justin Wisenpraal. Unfortunately, conflict awaits them: sword-trained Marco chases down an assassin targeting a Renali princess—a killer whom apparently only the scribe can see. Not only do some people at the summit reject the attempts at peace, they also may be inciting further clashes or even war between nations. Meanwhile, an enigmatic, clawed creature from another plane of existence enters this world, likely the vicious being behind the recent “Butcher Murders.” In a concurrent plot, skilled thief and orphan Jiminy flees from a bounty, though he’s not exactly sure what sparked the price on his head. As he hunts for answers, he winds up in league with someone who needs his prowess to loot an immeasurably valuable item. Though van Wyck condensed his debut novel in this second edition, the engaging story retains an epic scale. The cast is unsurprisingly extensive, but the tale largely focuses on Marco, Justin, and Jiminy. Their individual subplots prove the most exciting; for example, Justin, using his empath ability, blocks Marco’s memory of a past trauma. And Marco’s recurring nightmares tease his dark, ominous history. In addition, the author shrouds much of the innovative story in mystery: Jiminy embarks on a prolonged journey before learning specifically what he’s stealing, and clawed creatures appear in glimpses of the long-ago past (“The final days of the Age of Magic”). Despite the book’s bulk and deliberate pace, the author’s brisk dialogue complements his indelible, concise prose: “The unhorsed rider was borne to the ground, hard. The victor held aloft a broken lance, galloping the length of the pitch.” The ending leaves at least one character’s fate in question, practically demanding that readers keep their eyes out for the sequel.
A diverting introduction to an inventive fantasy saga.Pub Date: Feb. 1, 2016
ISBN: 979-8721831485
Page Count: 617
Publisher: Independently Published
Review Posted Online: Oct. 31, 2021
Review Program: Kirkus Indie
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
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