A chilling exploration of the costs of human weakness and desire, in a compelling and vividly wrought historical context.
In World War II Malaysia, a woman discovers her pre-war miscalculations have ruined her life.
In twinned story streams beginning in the mid-1940s and 10 years earlier, Chan traces the experience of the Alcantara family: Gordon, Cecily, and their three children, Jujube, Abel, and Jasmin. The opening section is set in Japanese-occupied Malaya (as Malaysia was then called) in 1945, where “teenage boys had begun to disappear.” On his 15th birthday their beloved Abel is among them. Cecily’s first reaction? “For a few minutes before the guilt took hold of her, it was a relief to see her terror realized. It had finally come to pass, and this was all her fault. She had caused this, all of it.” The flashbacks that begin in the next chapter unfold her heart-wrenching story. Through her husband’s position with the British occupation, Cecily comes in contact with a man of two names. On the surface, he is Bingley Chan, a Hong Kong merchant. He begins a friendship with the Alcantaras, coming to their house to visit. Gordon is thrilled by his attention and has no idea that every night after he passes out, Chan, actually General Fujiwara of the Japanese Imperial Army, is working to become his wife’s lover and spymaster, telling her she is helping build “an Asia for Asians.” As this background develops in the flashback sections, the horrors of 1945 unfold in parallel: Abel’s unspeakable torment in the labor camp, the perils of Jujube and even little Jasmin due to the abduction of girls to “comfort stations,” the almost unthinkable miseries of Cecily, who cannot free herself from her sexual obsession with Fujiwara even after he’s abandoned her and her life is in ruins. The ultimate cost of her shortsightedness and self-delusion is excruciating, to the point that finishing the book is like waking up from a nightmare with relief that it didn’t really happen.
A chilling exploration of the costs of human weakness and desire, in a compelling and vividly wrought historical context.Pub Date: Jan. 2, 2024
ISBN: 9781668015148
Page Count: 352
Publisher: Marysue Rucci Books
Review Posted Online: Sept. 21, 2023
Kirkus Reviews Issue: Oct. 15, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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