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THE TASTE OF DREAMS

AN OBSESSION WITH RUSSIA AND CAVIAR

A realistic and lingering picture of evolving Russia.

Moody Russian days from London Times correspondent Bennett.

The journalist had flirted with Soviet Russia for some years before 1991, when she wangled a job as a foreign correspondent for Reuters and the Los Angeles Times. Here, she doesn’t concentrate on the breaking stories of the time, but on the less covered subjects of daily life, personal bemusements, and food. For the Russian on the street, as Bennett sees it, food is love, and caviar is its purest expression: “Does caviar actually taste good? That question is pointless. Your spoonful of black eggs is full of far more than salt and oil and protein. It is weighed down with symbolism.” Yes, Bennett likes the taste, but she likes caviar’s symbolism even more: it’s the food of regret and nostalgia, of conquest (“a delicacy snatched from the mouths of the defeated khans”), of dashing, freebooting Cossack caviar traders. Thoughts on this quintessentially Russian delicacy wend their way through the story, but don’t overwhelm it. Bennett is interested in topics as diverse as azart, the give-a-damn strain running through many Russians in the early 1990s that means “not being satisfied that you’ve got enough till you’ve got far too much.” She’s fascinated by the old southern lands—“Dagestan, a poor, crime-ridden and mostly Muslim place next door to poor, crime-ridden, mostly Muslim Chechnya”—and more taken with the fantastical coups and crazy semi-wars of the region than the big bloodbath in Chechnya (though she published a book about it, Crying Wolf, in the UK). The more obscure conflicts tell us more about life in the area, Bennett believes. She also notes, as press reports rarely do, that after all the insanity, “gradually people went back to living their real lives. . . . Most people were sick of excess.” Azart was replaced with “a taste for dull bourgeois luxuries,” and “everyone I knew had a respectable job to go to in the mornings.”

A realistic and lingering picture of evolving Russia.

Pub Date: Sept. 15, 2004

ISBN: 0-7553-0063-7

Page Count: 276

Publisher: Headline

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2004

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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