Available only for the last five years in Russia itself, a searing document, worthy of shelving alongside Solzhenitsyn.
Sharply observed stories, from the thin line between autobiography and fiction, of life inside the Gulag.
Shalamov (1907-82) sympathized with Trotsky, and his father had been an Orthodox priest. For both sins, he was packed off to the mines of Kolyma, in the far northeastern corner of Russia. In the decades after his servitude, like many former prisoners, writes the translator in his introduction, “Shalamov…stuck to the principle of speaking as little as possible, and never when a third person (who might be an informant) was present.” Nevertheless, he quietly wrote thousands of pages, in some of which he recounted what he had learned from the Gulag: “I realized that one can live on anger,” he wrote, and then, “I realized that one can live on indifference.” In the stories, people live on whatever they can to keep them going in the cold, darkness, and hunger of the camps. One prisoner recounts that he and his fellow inmates had figured out a way to beat the system so that they would not receive “punishment rations,” helped along by the fact that “the guard was a softie: he knew, of course.” Other guards in Shalamov’s pages are harder, but all are implicated in a system in which they, too, can easily become prisoners themselves; so it is when one persecuting Soviet officer crosses wits with a lawyer and winds up falling afoul of his bosses. “He didn’t torment working people,” says another inmate to the lawyer, Andreyev, adding, “It’s because of you, people like you, that we get put in prison.” Assuring us that everything here happened, if veiled and restructured for narrative purposes, Shalamov recounts his transition to work as a paramedic, taught by a famous surgeon who had the bad luck to be related by marriage to a disgraced former Bolshevik. His long cycle of stories ends with his return to Moscow after almost 17 years: “I had come back from hell.”
Available only for the last five years in Russia itself, a searing document, worthy of shelving alongside Solzhenitsyn.Pub Date: April 10, 2018
ISBN: 978-1-68137-214-3
Page Count: 776
Publisher: New York Review Books
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
BOOK REVIEW
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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