A well-written, descriptive, and dark creation story.
Fallen angels battle for survival in Quiroz-Vega’s (The Basement, 2013) fantasy novel.
In the beginning, God created angels. His companions reside in Floraison, a beautiful and joyful location in the lowest level of heaven. Though given free will, they must be obedient and remain chaste. For the angel Lilith, this is a difficult proposition. Though she longs to be first in God’s eyes, Lilith questions the rules. Her slyness and disobedience cause turmoil and division among the angels. When God sorts the angels in a hierarchy, Lilith is unhappy. When God creates humans, Lilith is enraged and jealous. She sows the seeds of an uprising, eventually seducing Lucifer and encouraging him to revolt against God. A vicious battle ends in defeat for Lilith, Lucifer, and their allies. They are cast out of Floraison and banished to Earth, changed in form and ability. Some are given monsterlike characteristics, including Lilith, who is now half serpent. Lucifer becomes Satan, complete with red visage and spiky horns. The fallen angels struggle to find each other and battle to survive on the alien planet. They are vulnerable and able to be wounded by elements in their ecosystem. Though the angels can now enjoy pleasures of the flesh, it’s often violent and painful, especially for Lilith. Rather than experience heaven on Earth, the fallen angels lie, deceive, and suffer. Lilith craves revenge upon God, the angels, humans, and ultimately Satan himself. Quiroz-Vega offers a dark creation tale, a prologue of sorts to Adam and Eve. It’s a compelling narrative that provides background on several well-known, supernatural figures. Though obviously religious in nature, Quiroz-Vega’s book strays far from traditional biblical text. Sea monsters, mermaids, and vampires share the stage with angels and demons. And illicit (and explicit) affairs, violent battles, and graphic injuries abound. Quiroz-Vega’s prose is incredibly descriptive. The fallen angels, including a transformed Beelzebub, whose “arms and legs appeared gelatinous, punctuated by lumps of broken and calcified bone,” are painted with horrifying clarity.
A well-written, descriptive, and dark creation story.Pub Date: Aug. 1, 2017
ISBN: N/A
Page Count: 527
Publisher: Dog Ear Publisher
Review Posted Online: July 17, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
