With vivid characters, quick dialogue, and over-the-top situations, Chickering’s debut novel alternates between moments of...
A unique and morally ambiguous business plan causes conflict and chaos in the small town of Nohquee, New Jersey.
Lucy is an elementary school teacher and recently divorced mother to a young son. During a lunch with one-half of her social circle—the still-married moms—she expresses frustration over the lack of men in her life who are sane, disease-free, and not looking for commitment. The conversation goes astray when her friend Gina jokingly offers up her husband for a no-strings-attached hookup. Many of the wives are exhausted and uninterested in their husbands’ rabid sexual appetites. While the women initially laugh at the outrageous prospect, one wife, Nancy, decides to pursue the matter with Lucy. Feeling like her marriage is on the rocks, Nancy hopes that by allowing her husband to sleep with another woman, it will help revive their relationship. After establishing the ground rules, Lucy enjoys an afternoon with Ted, and all parties reap the benefits: while Nancy and Ted’s relationship appears to be on the mend, Lucy receives a few favors in return. Since all parties seemed pleased with the endeavor, Nancy concocts a plan—The Program, an opportunity for overwhelmed married women to contract with local divorcées to help satiate their husbands’ desires. No money would be exchanged—only favors—and an oath of absolute secrecy would help keep the peace. But could it really be so simple? Lucy feels conflicted over her new role, frequently wondering if she's violating a moral code. To make matters even more difficult, Lucy is juggling some fledgling potential relationships with her list of husbands from The Program. Though her needs are being met, she struggles to figure out this new version of herself.
With vivid characters, quick dialogue, and over-the-top situations, Chickering’s debut novel alternates between moments of true hilarity and deep introspection.Pub Date: Feb. 23, 2016
ISBN: 978-1-250-09131-4
Page Count: 368
Publisher: St. Martin's Griffin
Review Posted Online: Dec. 9, 2015
Kirkus Reviews Issue: Dec. 15, 2015
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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