The title is an accurate warning—this is a truly twisted family.
A family of New Jersey WASPs tries—and fails—to hide their dysfunction.
No one thinks more highly of the Thornden family than the Thorndens themselves—in the 1970s, they’re known for throwing large, lavish parties and showing off their perfect family. The truth, of course, is that their family isn’t as perfect as they pretend it is. Under the surface, there’s a lot of drinking and a lot of infidelity, but the most scandalous secret is that teenage cousins Biz and Charlie, best friends since birth, are perhaps growing a little too close. Charlie is actually adopted, meaning that he and Biz aren’t related—but only Charlie’s mother, Cat, knows that, and she plans to keep the secret so Charlie won’t lose his inheritance from his bloodline-obsessed grandfather. Chickering (Nookietown, 2016) follows Biz and Charlie as they go to college in the 1980s, make other friends, and get into relationships, all the while attempting to deny the strong connection they feel to one another. But when Biz sleeps with Charlie’s roommate, Charlie retaliates by attempting to sexually assault her (a fact that is acknowledged by both Biz and Charlie), forever changing their relationship. As Biz and Charlie continue to age and move on, neither of them can forget about the other—but will they ever learn the truth about their biggest family secret? There’s a certain glee inherent in reading about rich people behaving badly, and the Thorndens certainly behave badly. Chickering’s irreverent tone works quite well when detailing the eccentricities of a large family, but it doesn’t always work when dealing with more serious issues, most notably the sexual assault. Biz’s trauma is thoughtfully and realistically explored, but it’s hard to view Charlie as a compelling romantic hero.
The title is an accurate warning—this is a truly twisted family.Pub Date: June 25, 2019
ISBN: 978-1-250-06529-2
Page Count: 352
Publisher: St. Martin's Griffin
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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