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UP AT OXFORD

An engaging memoir of life at Oxford University in the 50's, by the prolific—and blind—Indian-born Mehta (The Stolen Light, 1989, etc.). When Mehta was growing up in India, Oxford was regarded as the training ground of prime ministers, the ``holiest of holy places of pilgrimage,'' but the author arrived there circuitously, via high school in Arkansas and Pomona College in California. Oxford was in a curious transition in the 50's, with seventy percent of its undergraduates supported by scholarships yet residing in glamorous suites of rooms (Mehta lived in rooms that had been previously used by Gerard Manley Hopkins and Harold Macmillan), living rather grandly on credit, and celebrating eccentricity, conversation, wit, and the life of the mind (in these days before the sexual revolution, Oxford was essentially a male society). Mehta says that entering Oxford was particularly difficult for Americans, who came into competition with Englishmen who had been subject to intense training in their areas of specialization—and who were intellectually much older, if emotionally much younger, than their Yank counterparts. Meanwhile, Mehta savored the Oxford life: the opportunities to meet the great; the associations with some of the most brilliant students of his generation; the visits to places like Birr Castle in Ireland, with a hundred rooms and ``just the usual footmen, cooks, scullery and sub-scullery maids, and of course, the housekeeper and the butler''; and the dinners at the Thistle Society as a kind of honorary Scot. This isn't, however, a conventional collegiate memoir: Mehta's blindness, feelings of inadequacy, sense of ``years of rejections and disappointments,'' and ultimate failure to get a First Class degree give it a bittersweet, sometimes slightly forced, quality.

Pub Date: Sept. 13, 1993

ISBN: 0-393-03544-1

Page Count: 416

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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